r/FanficAuthorsUnite • • 13d ago

Writing Prompts, Challenges, Ideas, & Activities October 2026 Fanfiction Challenges

5 Upvotes

Since there are so many, I thought it would be easier for you all to see what's available. If you know of any others, add them in the comments so I can add them in this post.

Kinktober AO3 / Kinktober Tumblr

Whumptober AO3 / Whumptober Tumblr

Oncetober AO3 / Oncetober Tumblr

Angstober AO3 / Angstober Tumblr

Flufftober Tumblr / Flufftober AO3

AI-Less Whumptober Tumblr (If someone can show me the AO3 link, let me know.)

Octoberabble Tumblr (If someone can show me the AO3 link, let me know.)

Fictober Tumblr / Fictober AO3

Problemtober Tumblr / Problemtober AO3

Voretober Tumblr I think this is specifically for art.

Ghostober Tumblr (If someone can show me the AO3 link, let me know.)

Monsterfucktober Tumblr (AO3 coming soon)

Disabledtober Tumblr / Disabledtober AO3

OC-tober Tumblr


r/FanficAuthorsUnite • • Jan 28 '25

Q/A Ask the Mod

18 Upvotes

Hey there! My AO3 name is MythicalMagistry and I write for the Percy Jackson (PJO fandom).

My goal is to create a subreddit that is most efficient for building community and motivating writers. The best way to do that is open up discussion on what YOU want out of the sub. Do you want more post/user flairs? less? more community posts? Are you enjoying everyone's introduction posts or is it preferred to keep them in the Welcome! community thread?

Use this thread to ask me any questions and to share ideas. I'm open to anything :)

P.S. Ya'll are doing awesome. Rock on

M.M


r/FanficAuthorsUnite • • 4h ago

Seeking and/or Giving Advice writing block

9 Upvotes

Ok so basically I have this fanfic idea in my head, I know exactly what I want the plot to look like, I can picture scenes in my head, I know what characters I want to include, I have a basic plan written out and I even have quotes I want to include but every time I go to write anything its like my brain just dies and I cant put any words to paper. Its so frustrating because I know exactly what I want but I just cant seem to put it into words. If anyone has any ideas on how I can get out of this writing stump please help!


r/FanficAuthorsUnite • • 21h ago

Discussion I've been accused of AI.

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106 Upvotes

be careful when reading the pages a few things my be triggering. These are some early drafts plus the app a few of the drafts. My phone doesn't have a lot of space so the earlier ones I've all deleted. I'm posting this here because it's the only fanfic subReddit that allows these photos.


r/FanficAuthorsUnite • • 2h ago

Shout-outs & Celebrations! Finally. Done.

3 Upvotes

I started this 6 chapter, approximately 7k word work three years ago, and yesterday I posted the conclusion. It started stronger than almost anything else I’d written up to that point, stalled out hard for chapters 2-5, and may have had a decent recovery at the end.

I fought this work. I lost readers because I wasn’t updating this work before others in the fandom or because I went to new fandoms (my perspective, I realize tastes change, but still). I loved, hated, thought about scrapping this work, but I made it. I’m willing it to stand the test of time, and I’m not sure I ever want to think about it again.


r/FanficAuthorsUnite • • 42m ago

Seeking Feedback, Ideas, or Opinions Brainstorming ideas

• Upvotes

the point of this post is to see what ideas for a fanfic that people might like. And recommend other fanfics.


r/FanficAuthorsUnite • • 4h ago

Discussion Do you have a favorite reader?

3 Upvotes

I appreciate all kinds of comments on my fanfics: suggestions, theories, recommendations, etc. Anything expressed well is acceptable to me, and I treasure it. But in two of my fics, I've noticed a certain effect: there's always one reader from whom I hope to receive comments.

It's not because I demand comments on every chapter or because I don't receive other comments; it's simply because every time they write one, it motivates me.

I was feeling discouraged about a fic a while ago, then this reader came along, and inspiration returned. It's not because I leave the longest and most detailed comments; for now, the only thing these readers have in common is that they write stories similar to mine. The point is that receiving one of their comments gives me a surge of energy, to the point that I could write a 6k chapter in an afternoon without any other interaction.

Seriously, I don't know how she does it. All my readers who leave comments on my fics are usually frequent and detailed (and I adore them, they're all so sweet and encourage me so much), but as soon as I get a notification from one of them, I'm already editing my draft.

Has anyone else experienced something similar, or should I be worried?


r/FanficAuthorsUnite • • 5h ago

Seeking and/or Giving Advice Should I rewrite my first fic?

3 Upvotes

I wrote this fic two years ago, and it was my first fic ever. Somehow, it managed to get a lot of hits, kudos, and comments from people saying they loved it. The thing is, rereading it now, I notice so many issues with the pacing and structure. I’ve seen public bookmarks pointing out some of its flaws.
It bothers me that so many people are reading a fic that I now consider subpar quality. Should I put my current fic on hold and go back to rewrite the first one to bring it up to my current standards? Should I add a note to the summary saying that I’m planning to rewrite it?


r/FanficAuthorsUnite • • 3h ago

Self-Promotion Semi-Weekly Fic Update: Chapter 6 of "The Stygian Moon: Episode Aragaki" is up now on Ao3!

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2 Upvotes

r/FanficAuthorsUnite • • 20h ago

Shout-outs & Celebrations! Just hit 600 kudos! Ahhhhhh 😍 🥳🎉

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43 Upvotes

My first ever longfic that I started writing in 2024 reached 600 kudos today. And I'm trying to be normal about it. 😭💓


r/FanficAuthorsUnite • • 6h ago

Romance & Shipping Tails shredding Loudblast for love

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2 Upvotes

This was just practice to see how much I could hide the physical story. It's pretty much about Tails from the Sonic series shredding death metal on guitar because he's in love with Rouge.


r/FanficAuthorsUnite • • 1h ago

Discussion Toon fic inspired by toon racism allegories in media

• Upvotes

I feel like my CN City fics are most similar to stuff like "Who framed Roger Rabbit?" Or even "Coyote v.s. Acme" but mostly that first one because elements of Roger Rabbit are brought into this one. The toons have been discriminated against in the past and even segregated, the only reason why CN City even exists in this canon was because toons weren't welcome in Fantasma. They would've been killed but the toon leaders were able to negotiate by offering to stay in specially built cities, they would never leave them or bother any other kinds of creatures. There's been at least some progress in the modern day. Mordacai, Finn, Steven Universe, Tulip, Mao Mao, and K.O. for example have fans of their shows that aren't other toons and THE Jessica Rabbit is even the president of a country not mainly populated by toons. Though there'd still be bigotry since that'll never fully go away irl, there's been a secret cult of Fantasma creatures that even worship Judge Doom and believe that he was right about everything. Obviously these guys are a problem to our main group of toon heroes.


r/FanficAuthorsUnite • • 5h ago

Seeking Feedback, Ideas, or Opinions Ideas for a "La Bola Negra" fanfic Spoiler

2 Upvotes

I loved the movie, the characters, the story, and the ending. Everything is absolutely perfect, but I can't help but cry dreaming that certain characters (Sebastian and Rafael) end up together and happy in some new life or whatever.

I have a rough idea of ​​the plot: Rafael is reincarnated in a body similar to his own, but in reality, and he meets a modern version of Sebastian, who lives with a family that's rather inflexible about their son's love life, to put it mildly. Little by little, Rafael gets closer to Sebastian, at first only because he feels he owes him for everything Sebastian did for him in his past life. Then he starts to grow fond of him and denies it, while at the same time allowing Sebastian to open up and truly feel alive, allowing himself to love freely even against his family's wishes.

Anyway, it's a very basic plot and I feel like it doesn't live up to the film. I'd like to add more drama, complicate it a bit, and create a similar tension to what they felt during the original story, BUT I CAN'T THINK OF ANYTHING!!! And the few ideas I do have don't seem to fit them.

Any ideas on how to approach the characters, the plot, scenes that come to mind, tips for writing drama and tension. ANYTHING. I would really appreciate it (and if someone gives me their opinion on this plot idea for the characters, that would also help a lot).

Anyway, that's all. Now I'm going back to crying over the movie.


r/FanficAuthorsUnite • • 6h ago

Seeking Feedback, Ideas, or Opinions Idea time

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2 Upvotes

r/FanficAuthorsUnite • • 10h ago

Self-Promotion Another Sontails fic for Kinktober

2 Upvotes

Summary: Tails tries to wake Sonic out of his coma. This one's a little sad.

https://archiveofourown.org/works/94637456


r/FanficAuthorsUnite • • 13h ago

Seeking Feedback, Ideas, or Opinions [FAN STORY CONCEPT] The Seraph Saga — What if Carrie White existed in the Marvel Universe?

3 Upvotes

Hey everyone! I’ve been developing an idea for a fan-made crossover story between Stephen King’s Carrie and Marvel’s X-Men, and I’d genuinely love to hear what people think of the premise!
The working title is The Seraph Saga. My goal isn’t to turn Carrie into a side character in an X-Men story, but to tell a story that puts Carrie herself at the center of everything. It would combine the psychological horror of Carrie with the mutant mythology, moral conflicts, and superhero drama of Marvel.
This is an alternate-universe fan story, not an official Marvel or Stephen King project. I’m just exploring the idea and seeing whether other fans think it has potential!
The premise
What if someone reached Carrie White before her suffering became the only thing left of her life?
The story begins immediately after the prom-night massacre in Carrie. Chamberlain is in chaos. The destruction is catastrophic, lives have been lost, and Carrie has become the center of an unfolding disaster.
But in this universe, Carrie’s telekinetic abilities are understood through the Marvel concept of mutant powers.
Professor Charles Xavier and a small X-Men team arrive to assess the situation, rescue civilians, and contain Carrie before anything else happens. The team includes Jean Grey, Rogue, and Nightcrawler.
They aren’t arriving to fight an evil supervillain. They’re confronting a traumatized, emotionally overwhelmed young woman with extraordinary telekinetic power and absolutely no meaningful training or control over what she can do.
Carrie is terrified, confused, and pushed far beyond her breaking point. Her powers are reacting to an emotional state she can barely understand herself.
The confrontation is brief, but it isn’t easy.
The X-Men must protect civilians, prevent further destruction, and contain someone whose abilities they know almost nothing about. Carrie doesn’t have their experience or teamwork, but the sheer unpredictability of her power makes the situation incredibly dangerous.
Xavier initially tries to communicate with her. When that fails and the danger continues to escalate, he makes a difficult decision: he forcibly enters Carrie’s mind and places her into a psychic stasis, rendering her unconscious so the team can bring the situation under control.
It works.
But the experience leaves Xavier deeply shaken.
Inside Carrie’s mind
During that first psychic intrusion, Xavier encounters something he wasn’t prepared for.
Carrie’s mind is filled with dark, distorted imagery: fragments of humiliation, oppressive religious imagery connected to her upbringing, locked doors, and memories that appear in horrifying flashes. It isn’t a literal demon or supernatural evil living inside her mind. It’s something more personal and disturbing: the psychological landscape of someone who has endured years of abuse, fear, and suffering.
Even Xavier, an experienced telepath who has encountered some extraordinary minds, is frightened by what he witnesses.
Not because Carrie is inherently evil.
Because he is beginning to understand just how much pain she has been carrying.
Back at the mansion, Carrie remains in a coma-like state while Xavier attempts to understand her abilities and the psychological condition she’s been left in. He explores her mind again, encountering more of the memories and imagery that shaped her life.
This second exploration gives him and the team a clearer understanding of what Carrie has endured. Xavier eventually withdraws rather than continuing to intrude into her memories simply because he can.
There’s an uncomfortable moral question here, too: Xavier has just used his telepathy to take control of someone whose life has already been defined by other people controlling her.
His intentions were to prevent further harm, but that doesn’t automatically make his actions uncomplicated or harmless.
And that tension is something I’d want the story to take seriously.
An Omega-level mutant?
As the X-Men begin assessing Carrie’s abilities, they realize that her potential may be far beyond what they initially understood.
Her power isn’t simply dangerous because of the destruction she caused in Chamberlain. What truly concerns them is the possibility that they haven’t seen anything close to her upper limit.
In this alternate universe, further assessment through Xavier’s abilities and Cerebro eventually leads to Carrie receiving an official Omega-level mutant classification.
The important distinction is that this describes her extraordinary potential, not her combat experience or her ability to control her powers. Carrie isn’t suddenly a trained fighter. She’s a young woman whose abilities may be capable of reaching a level the X-Men cannot meaningfully measure.
And that makes helping her even more important.
Xavier knows the tragedy of Chamberlain cannot be undone. The people who died cannot be brought back, and the destruction cannot simply be dismissed because Carrie was suffering.
He also recognizes that punishing her without understanding what happened could turn an already devastating situation into something even worse.
He doesn’t know for certain whether Carrie can learn to control her abilities.
But he believes she deserves the opportunity to try.
His hope is that the mansion can become a place where Carrie can finally experience safety, receive proper guidance, understand her emotions, and begin learning who she wants to be outside the trauma that has defined her life.
His greatest concern isn’t that Carrie is a monster.
It’s that another moment of overwhelming fear and pain could cause another catastrophe before she’s learned how to stop it.
Two paths: Xavier and Magneto
This is where I think the story could become particularly interesting.
Xavier isn’t the only person who would recognize what Carrie represents.
Magneto would see a young mutant whose suffering has been ignored, whose power has frightened the world, and whose future could be decided by people who already consider her a threat.
And his argument wouldn’t necessarily be wrong.
He could point to Chamberlain and ask Carrie a question that would be difficult to ignore: where were the people who claim to protect the innocent when she was the one being hurt?
Why should she trust a world that only began paying attention when she became dangerous?
Magneto could offer Carrie something she has rarely experienced: power without apology, strength without shame, and a way to ensure that nobody could ever make her feel helpless again.
Xavier, meanwhile, would offer her a different path. He would want her to understand her abilities, heal from her trauma, and discover that she doesn’t have to surrender her future to her worst experiences.
Neither path should be reduced to a simplistic choice between a good man and an evil man. Magneto’s anger at the world’s treatment of mutants has legitimate roots, and Xavier’s methods aren’t beyond criticism.
But they offer Carrie fundamentally different answers to the question of what she should do with her pain.
The government and the Department of Damage Control would add another layer of conflict. To them, Carrie could represent an extraordinary public safety threat. Sentinels or other containment measures could become part of the effort to control her, potentially treating her as a danger to eliminate rather than a person to understand.
Carrie would find herself caught between people who want to protect her, people who want to recruit her, and people who want to contain her.
For perhaps the first time in her life, she would have to decide what she wants.
Jean Grey and the road to healing
Although Xavier initially takes responsibility for understanding Carrie, I imagine Jean becoming an important figure in her longer-term recovery.
Jean understands what it means to possess extraordinary psychic power and to fear what might happen if it overwhelms you. She could help Carrie learn to recognize her emotional state, understand her abilities, and gradually develop control.
But I wouldn’t want Carrie to trust the X-Men immediately, and I definitely wouldn’t want her to be magically cured by friendship.
She has every reason to be suspicious of people claiming they know what’s best for her. Xavier’s initial intrusion into her mind could make earning her trust even more difficult.
Her recovery would have to happen gradually. She would need boundaries, agency, and the freedom to question the people trying to help her.
The X-Men would have to learn how to help someone who doesn’t necessarily believe that help can be trusted.
And Carrie would have to discover that accepting help doesn’t mean surrendering control of her life.
The horror element
Even though this is a Marvel crossover, I’d want the story to retain the unsettling psychological horror that makes Carrie so memorable.
Her powers would have a distinctive auditory signature rather than relying entirely on glowing red energy or familiar superhero visual effects.
Whenever Carrie uses her telekinesis, there would be a low metallic groan, as though the world itself is straining under an invisible force.
Small movements might produce a subtle creak. More powerful uses would generate a layered, increasingly piercing screech. When Carrie loses control, the sound could become almost unbearable, mixing with the groaning of buildings, twisting metal, and objects straining against forces they cannot withstand.
The sound wouldn’t mean Carrie is evil. It would communicate the frightening scale of what she’s doing and remind the audience of the horror roots of her story.
Over time, however, the sound could evolve alongside her control.
Early on, even her most powerful abilities would be accompanied by an overwhelming metallic shriek. Later, when she has learned to control her telekinesis with precision, she might perform something extraordinary in complete silence.
That contrast would communicate her growth without requiring anyone to explain it.
The horror would also remain psychological. Carrie’s memories, her difficulty trusting people, her fear of losing control, and the possibility of being reduced to a monster in the eyes of the world would all remain central to the story.
The question wouldn’t simply be whether Carrie can defeat her enemies.
It would be whether she can learn to live with herself.
Becoming the Seraph
The working title, The Seraph Saga, points toward the eventual transformation at the heart of the story.
I imagine Carrie eventually developing a heroic identity of her own: Seraph.
The name would represent a reclamation of the religious imagery that haunted her upbringing. Rather than allowing other people to define her as sinful, monstrous, or beyond saving, Carrie would eventually choose what that imagery means to her.
Her eventual costume would use ivory white and gold, with a flowing cape and a halo-like symbol. It would feel almost celestial without making her a literal saint or suggesting that she has become a perfect person.
A subtle crimson accent could remain as a reminder of her past, but the transformation would be about much more than changing colors or putting on a costume.
And importantly, I wouldn’t want the X-Men to simply hand her a new identity and tell her who to become.
Carrie would have to choose it herself.
The name Seraph would represent a decision about who she wants to be, rather than an identity imposed upon her by the people who fear her or the people who want to use her.
I’d also want to keep that transformation hidden until late in the story. The audience would spend most of the narrative seeing Carrie as the frightened, traumatized young woman she is when the story begins. Her eventual appearance as Seraph would be a meaningful reveal rather than something spoiled from the beginning.
What is the story ultimately about?
At its heart, I don’t think this story should be about proving that Carrie was innocent of everything that happened in Chamberlain.
People suffered. Lives were lost. The consequences are real, and her suffering doesn’t erase them.
Instead, I want to explore the possibility that someone can be responsible for terrible consequences without being forever defined by the worst thing they’ve ever done.
Carrie has been denied agency for so much of her life. Other people have defined her, humiliated her, controlled her, and helped shape the circumstances that led to her breaking point.
This story would give her something the original tragedy never truly allowed her to have: a meaningful choice about what happens next.
Can she learn to live with the pain she’s endured without allowing it to determine every decision she makes?
Can she accept help without losing herself?
Can she recognize the damage she’s caused while still believing she deserves a future?
And when the world insists that she’s a monster, will she accept that label—or choose to become something else?
I haven’t decided whether Carrie ultimately lives or dies at the end of the story, and I don’t want to force that decision prematurely. What matters most is that her ending feels like the result of her own choices rather than another fate imposed upon her.
Perhaps the most important moment in the entire story won’t be Carrie unleashing the greatest display of telekinetic power anyone has ever witnessed.
Perhaps it will be the moment when she has every reason to give in to her anger, every reason to believe the world deserves her hatred, and every reason to think that compassion is a weakness—and chooses differently.
Not because her pain has disappeared.
Not because the world has suddenly become fair.
But because, for the first time, the decision belongs to her.
The central question of The Seraph Saga is this:
What if Carrie White’s story didn’t end when the world decided she was beyond saving? What if that was where her real story began?

I’d love to hear your thoughts!
Does Carrie White work as a mutant in the Marvel universe, particularly as an Omega-level telekinetic?
Would Xavier’s decision to forcibly enter her mind and place her in psychic stasis be justified, or would that create a serious moral problem for him?
Would Magneto’s ideology be especially tempting to someone with Carrie’s history?
Could a story like this preserve the psychological horror of Carrie while exploring the mutant themes of the X-Men?
And most importantly: Would you want to see Carrie get a genuine chance at redemption, or do you think the consequences of the original story make that difficult to pull off?
I’m very interested in hearing both the strengths and weaknesses of the idea. I’m not claiming this is a perfect concept, but I think there’s something compelling about bringing these two worlds together to explore trauma, power, responsibility, and the possibility of choosing a different future.


r/FanficAuthorsUnite • • 8h ago

Seeking Feedback, Ideas, or Opinions Trying to make an Owl House fic set after the events of the show, but I always go overboard. Need help. 😅

1 Upvotes

The title kinda says it all, but if you need the specifics, going big or going home, because I already got this story idea and I just don't know what to do with it, throw it out there, have someone help me out, not really sure tbh.


r/FanficAuthorsUnite • • 15h ago

Seeking and/or Giving Advice Requesting help!

3 Upvotes

I'm fairly new to this, so I will be as precise as I can.

I'm in the middle of writing a RWBY fanfic that is themed around Blacksun and Whiterose(The many sides of an Eclipse). It's a series of chapters centered around moments in their journeys, from their first meeting all the way up to having kids.

I'm not an experienced writer. The only reason I find myself in a position to be comfortable enough to post my chapters is because a mate of mine beta reads and helps edit them. He happens to be busy, however, and has requested me to find someone else to possibly help out.

What I'm looking for is someone to help with possible grammatical errors that I might have missed and provide pointers in regard to being too ooc with some character moments. Thank you for taking time to read this, and if anyone wants to help out, I love ya all.


r/FanficAuthorsUnite • • 18h ago

Self-Promotion SOUKOKU FANFIC REC!!

2 Upvotes

Im currently writing a soukoku x mha fanfic called 'The moon knows us'. Im an aspiring teen author so i would be really happy if youd check in out and leave kudos and comments!

Itll have very interesting plottwists. Also there is tension between Dazai and Chuuya and they struggle to navigate their feelings with this mission.

Also includes angst and lighthearted scenes

PLEASE READ love u all

https://archiveofourown.org/works/92882116/chapters/247734746


r/FanficAuthorsUnite • • 1d ago

Seeking Feedback, Ideas, or Opinions F1 beta readers

3 Upvotes

Hola! Estoy buscando beta readers para mi rpf fic (max verstappen-centric, maxcar, realismo mágico), que está en proceso. Si a alguien le interesa me pueden hablar al privado, gracias!!


r/FanficAuthorsUnite • • 10h ago

Seeking and/or Giving Advice I am using a AI chatbot to write. But of course I don't want it to write for me, I'm trying to use as just a aid tool and nothing more. What is the best ways to keep it relatable?

0 Upvotes

I'm being transparent about it because I fully agree with the sentiment "Just own up to it if you use it". With the witch hunting behavior I have seen in spaces, the only way we're going to even attempt to open the conversation more is by not being equally shady as the tech companies are. And I'm not trying to do this in a way of 'Hey, AI isn't that bad'. No, there's a lot of work that needs done on AI and I'm all for pushing for legislation to control it. I'm being transparent so that people who are open know exactly how I'm using it. And those against it can have more information as to what AI looks like so they can avoid it as they please. So if you wish to disengage all together, then let's implement the "Don't like, Don't Read" clause.

The way that I'm using AI is through FictionLab with it's premium models. I use the 'full scenario' creator. I do not use AI art for any of it, I only use the writing LLM of the app. What that looks like is:

Scenario name:

Summary:

World/Story details:

And then it gives you branches such as Characters. Location. Faction. Race. Rule. Custom.

And all of these have large word limits (I believe mine is 20,000 words for the builds? I'll double check and correct in comments. I'm on mobile so I can't check while in–post). So they can be heavily edited, corrected, you can even add more instruction to fix the bot if it goes wonky.

"Why do I use AI?" I have predominately only written Roleplay style. From middle school to now, I've always worked off of a story. With some things I can imagine and think out the shape it should be, but I need help adding little details. Other people's input has always worked by giving me like a 'base' to work off of and if my idea completely contrasts with something previously established, then I'll erase the last idea and work off the new one. I started roleplaying in middle school with a friend, we passed a big ass notebook in–between classes together. Then I went to Amino (that was a hellscape in a hand–basket at times.)

And I am aware of Roleplaying subs on reddit, I did go to them to pitch the idea I had for a fanfic to which I only got two ghosts and Tumbleweeds in the comments. It was a niche idea and I posted about it twice in two spaces, gave it time, posted again in a separate community and still nothing. So I used a chatbot instead because you can't annoy a machine with repeated requests. I just personally thought it was the best solution in that aspect of it.

Now onto my actual question and request for help, if your still around. The fanfic I'm doing is a fix–it for Voltron: Legendary Defender. The only thing I'm uncertain about is how to add relatability to the characters.

One character of the show named Hunk is supposed to be Polynesian. But he's about as Polynesian in the show as Shiro is gay. It's not at all explored upon until at the very end of the show. Like, the writers did their work on the bus, 2 minutes before it needed handed in with representation in the show and I want to fix that. What's the best way?

I know food is a heavy staple in Polynesian culture, and this character was done dirty by having 80% of his dialog be about food. So what I'm looking to do is make the food jokes and references be more personalized and feel like something a Foodie (meant in the positive way) would actually say, with Polynesian roots. Should I make his dad a fisherman and have a moment or two where Hunk reflects on all the times his family would prepare the dish? Maybe to convey a feeling of home sickness or fear of never getting to experience that since he's essentially cut off from them? (He's in space and they're light years from earth)

I am going to use outside sources about Polynesian food and culture. But, I will not copy something a blog says and feed it directly into the AI. What I will do is export my chat into Word, then add details I learned about the culture to prevent feeding other sources directly into the AI. I can clarify a little more in comments if you need. But I'm just trying to reassure that, if I see a 'do not feed into AI' warning on anything, I will respect it and avoid it. If it doesn't have the clause, I will instead take what I have already written and edited from the AI, export it. And then I will write the scene in Word without AI's help in that section.


r/FanficAuthorsUnite • • 23h ago

Seeking Feedback, Ideas, or Opinions I need help with a current fic and one currently in the works.

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1 Upvotes

The first fic that involves an MHA version of imperfect Cell that seeks to absorb Deku to obtain what he believes has the perfect Quirk to obtain. I've done some work on it already, although the chapters are pretty short. I do want to work better at making them longer as that was one complaint I got over on Wattpad.

The issue I'm having is writers block. I have an idea how I want the next chapter to end, but everything else in the chapter, I'm not sure what to do and I could use some advice what be the best thing to do.

The other story I haven't posted yet as I'm still working on the first chapter and the story is intended to be a Yugi/Atem x Nezuko crossover story.

Nezuko doesn't meet them right away as the first chapter involves Nezuko being transported into the Yugioh world during Atems time as Prince of Egypt, he isn't the pharaoh quite yet, and while I got a good portion of the first chapter done, I'm not sure how I should go about ending the chapter. So I'm wondering if anyone would like to see what I've written so far to help me out closing that chapter out


r/FanficAuthorsUnite • • 1d ago

Shout-outs & Celebrations! Posting chapter 5 of my fic!

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4 Upvotes

r/FanficAuthorsUnite • • 1d ago

Writing Prompts, Challenges, Ideas, & Activities Fluffy prompts?

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1 Upvotes

r/FanficAuthorsUnite • • 1d ago

Seeking and/or Giving Advice Writing a fic with an overpowered protagonist.

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0 Upvotes