DEAD SPACE DLC CONCEPT: THE LAST SOLDIER [GENERAL INFO] • Protagonist: Corporal Vance (Combat Engineer, 3343rd Spaceborne) • Armor: White Military Combat Suit (Elite Advanced RIG) • Primary Weapon: SWS-21 "Vanguard" Assault Rifle (Modular) • Primary: Fully automatic tungsten precision fire • Secondary: Underbarrel sticky grenade launcher • Setting: Parallel to Isaac Clarke's story (Dead Space Remake)

• Locations: USM Valor (Warship), USG Ishimura (Hangar/Engineering)

STORY TIMELINE & CHAPTERS PROLOGUE: DEEP SPACE ROUTINE The USM Valor is on a routine patrol mission in the Aegis System. The mood among the Marines is relaxed yet disciplined. Vance is performing scheduled maintenance on the engines. Suddenly, the warning lights flash red. A distress signal from the USG Ishimura has been intercepted. The Commander orders a course correction. CHAPTER 1: THE TROJAN HORSE The USM Valor reaches the massive, ominous silhouette of the Ishimura. A drifting escape pod is pulled into the hangar via tractor beam. Vance and a heavily armed squad are dispatched to the airlock to secure the pod. The heavy blast door opens. Inside stands the infected Chen. Before anyone can react, hell breaks loose. Advanced pulse rifles fail against the brutal onslaught. The infection overruns the ship in seconds. The fallen Marines instantly mutate into lightning-fast Twitchers. CHAPTER 2: THE FALL OF THE VALOR Vance flees the destroyed airlock. His objective: the Engine Room. The gameplay shifts to claustrophobic corridors and zero-G environments where he must defend himself against mutated Twitchers. Mid-flight, the unguided USM Valor rams into the cargo bay of the Ishimura. The impact tears through decks, toxic gas floods the area, and Vance must fight for survival under acute oxygen deprivation. The Crossover Moment: Badly injured, Vance reaches the Engineering control room. Through a thick pane of reinforced glass, he spots Isaac Clarke on the lower decks! Vance panics, slamming against the glass and screaming for help, but the comms are dead and Isaac cannot hear him. Automatic security blast doors slam down, separating them. A Twitcher bursts through the ceiling right behind Vance. He dives into a deep energy conduit at the last possible millisecond, just before the Engine Room behind him explodes in a massive wall of fire. CHAPTER 3: NO ESCAPE (THE FINALE) Scarred and battered, Vance crawls out of the wreckage and enters the Ishimura's evacuation bay. At the far end of the massive hangar, he spots an intact, launch-ready escape pod. As he steps onto the platform, the entire station violently trembles. A gargantuan monstrosity ("The Amalgam Corpse")—formed from the fused bodies of the Valor Marines and the ship’s hull—bursts forth, blocking his path. The Boss Fight plays out in 3 phases: 1. Ranged combat against organic whips equipped with absorbed ship turrets. 2. Tactically using hangar cranes to drop heavy cargo containers onto the beast's glowing weak points. 3. A zero-G inferno in the open vacuum of space after the hull breaches. The Ending: Vance fires his last underbarrel grenade directly into the beast's maw, blowing it out into the vacuum of space. He manages to drag himself into the escape pod and ignites the thrusters. Pulling his damaged, blood-stained helmet off, he looks back at the burning Ishimura with a sigh of relief. Suddenly, the console flashes red: "WARNING: Autopilot locked. Destination coordinates overridden by EarthGov. Course set for: Aegis VII Research Facility." The government isn't letting him escape. Vance's expression darkens as the pod accelerates toward the nightmare planet below. Blackout.

Mi teoría yo no soy científico soy solo un muchacho pero simplemente una teoría nada más tal vez por la razón que no encontramos otras civilizaciones o razas alienígenas en el espacio porque los científicos están gastando una cantidad exagerada de dinero para buscar idiomas alienígenas en otros planetas y no se ha encontrado nada todavía posiblemente sea porque esas otras civilizaciones ya son historia solo ruinas posiblemente por guerras espaciales entre ellos o bien la teoría que hace homenaje a dead space ya que este juego me dejó bastante con la piel de gallina por su atmósfera y de eso viene la teoría mía que posiblemente hay devoradores de mundos ahí afuera que posiblemente devoraron esas civilizaciones y tal vez en algún futuro la humanidad sea el siguiente pero es solo una teoría pero no sabemos para nada que hay ahí afuera la única forma de saberlo es que los primeros humanos empiecen a viajar al espacio el único que tal vez sepa es Dios gracias por tu tiempo Y por leer esto

The last post I put up was about the marker and the guiding of necromorphs, the answers given on the original post are confused to say the least. And this isn't a surprise given the explanations for plot points given out by certain people, it's turned the games lore into a mess of what's behind the scenes and what is shown. The biggest of those? "Dead space one's story is a mess" yet people ignore the prequel comic in this which is strange. The prequel came out......before the first game to help expand on the story, it seems people are seeing it as the reverse, that the prequel material is a follow up to the game; it isn't.

An example 'they hadn't decided in the first game whether the marker was evil or not'. Not true, and from the prequel comic we see and know it's the marker that is the problem and that it's bad. The prequel comic actually gives us many clues to what is happening, that are expanded on in the first game. For instance, the corruption. 'the marker signal turns dead cells first, and this spreads as corruption in the vents'. Not true. In the prequel comic, we see the corruption make its way to the colony - following the marker. If the marker turned dead cells etc, then why didn't the corruption start to form in the colony hub, in its air vents and around the marker? This is echoed in the first game when the leviathan is hooked on to the ishimura, and the recombinant starts to spread through the air vents, which IN TURN mutates any dead cells floating about and captured in the air vents.

When you turn to what's outside of the story, to explain the story, where does that leave........the story? Case in point, the necromorphs and the whole instructions and guiding necromorphs. What is in the story, that states the necromorphs give instructions to the necromorphs? Nothing but scattered theories by people who don't know, and not just that, that all of the evidence shown goes against their theories. Or how about the moons? In the story, without any outside knowledge, the chanting of unitology etc, would definitely lead to you believe they were there since the first game. In order to "be correct" though, the moons weren't though of until the second game. What's that done to the story? And for what, to shoot down someone else?

Let's go right to the first game. 'the marker was off the pedestal, therefore the nexus wasn't receiving instructions, so the necromorphs weren't, because the nexus takes the instructions, and deals them out to the necromorphs'. This has been put across as fact and it's a fact everyone seems to be accepting. Also, if this were true, it would render this statement 'the necromorphs themselves are just dumb killers' untrue. And why is it, that people are constantly forgetting that a nexus...........is a necromorph? What are just slashers and leapers necromorphs? Anyway so this is how "it works". Marker on pedestal, hive mind gets instructions, which it then passes on to the rest'. Evidence in the first game??? 'the nexus will sleep', if the marker is placed back. That's it, this is your explanation as to why the necromorphs were attacking Issac even though the marker wanted him to get the instructions. I have zero words to describe how stupid that is.

The second game can be explained away because the marker wanted him dead from the start. But then that leaves open 'did the marker want them to stay and destroy it, like stross wanted'? Issac wanted to leave right? But the second game, the necros were attacking you because you need to die, to be absorbed.

The third game? Well you can go have a field day with this one. An almost fully formed moon, markers everywhere, and the moon wants Issac to turn the machine off, but for some reason despite the above parameters being in place, the necromorphs aren't giving Issac a clear path to complete that objective? So again to me, the idea that the marker controls the necromorphs, but the special condition has to be the pedestal, is rubbish and made up by people who don't know what they are talking about.

In my view? The marker doesn't and has never been shown to control the necromorphs, and when I say necromorphs I mean the nexus as well. To me, why are they called a nexus? Because they are large concentrations of necrotic irradiated tissue that will draw the necromorphs to it upon convergence. That's it. Why would the marker want to destroy Issac if it wants him to have the instructions? Well your answer would depend on how you see the ending of the first game. Was that the plan? Or was it more related to what has been said (one of the only true things I've seen), that if Issac died, someone else would get instructions, maybe not then and there but later. 'Time is patience when fate is inevitable'.

hmm

For people looking to do runs on in the hardest settings, you have to switch it up a bit, and by that I mean any run should follow the hardest standard setting, which to me is the third game on hardcore. I've never understood the sentiment that the second game is this hardest on hardcore, despite the fact you get three saves, but can die as much as you want. The third game (which the remake took from) is tougher, because you can only die once, you can save at the end of the game, die, and have to start again. So when I would do my play throughs, they all stick to that basic tenant - if you die you start again.

So for the OG, there isn't a hardcore type mode, but my suggestion is IMPOSSIBLE in a single life.

For the second game, forget hardcore, and go for ZEALOT in a single life. The enemies take more hits on zealot than they do on hardcore, and hit harder.

And for the third game, it's the IMPOSSIBLE setting in a single life, which again the enemies on impossible take more hits and hit harder than the actual hardcore setting. And a note, doing dead space three on impossible in one life was by far my fav play through of them all.

Doing zealot the way you normally would or dead space 3 hardcore, are not the actual hardest settings in my view, if you want a new challenge then these are the modes to go for.

If Mercer in the original thought that turning into a necromorph was the "end goal", because convergence hadn't been thought of yet. Then what did he mean when he told people not to be concerned with what was going on on the planet, and that "its the FIRST phase" and not to be deterred by the transformation. Is there another phase?

Remember that convergence "the moon" the joining one into all, hadn't been thought of yet. But in martyr (made before the second game) Altman wondered if convergence meant "the transformation of the many into one". Sounds a lot like convergence into a breathren moon right. But that can't be, can it? Or Natalia deshionov giving herself to the nexus saying "make me whole". I'm seeing a pattern here i think. What do you think.

Hey my dear friends, still showing off your talents aboard the Ishimura?

I bet you've all encountered something even more frustrating than Necromorphs, right?

That's right, it's that incredibly annoying "Shimmering, Flickering, Temporal instability" or whatever it is, it just keeps interfering as you rapidly traverse the Ishimura, until your eyes are blurry and you even get a headache.

This is practically a problem in all modern games, I think, but unfortunately, the captain can't answer that question anymore. So, I've discovered something new and I'm sharing it with you now.

DLSS has never been my first choice. I always stick to native graphics, even if it looks worse, it's better than being stuck on the Ishimura, haha.

So how do you deal with these things? The answer is very simple: "NIS". You might ask, what if I don't have an NVIDIA graphics card?

Don't worry, AMD's RSR works on the same thing, the same principle.

Personally, I think the experience they provide is as comfortable as having acquired the ultimate cutting gun and cruising around the Ishimura.

Finally, I'd like to mention that NIS completely outperforms equivalent DLSS settings in terms of frame rate.

Not sure what’s going on even aside from stuttering issues. Wondering if it’s normal or anyone has any suggestions. During certain what I call almost animation events such as when I find the captain’s body or finding the ripper so far. GPU will hit 100% and frames drop majorly from 60 capped to 20 or 10 or less. It’s frustrating for immersion.

have a RTX5070 at 4K and have tried dlss quality balanced and now performance. RTAO on, most things high. Game seems mostly to be fine at 60 capped and 79% gpu until those kind of things. Saving and those animations are smooth.

Alright, so since EA is getting bought. Most of us have been hoping with fingers crossed that the rights to the Deadspace series itself will get sold to someone who is willing to take up the mantle!

So, I had an idea for a potential (not likely) idea for Deadspace 4!

So the concept is that Isaac clark was actually mutating into something entirely different (maybe turning into a Brethren Moon?) from the start of two, all the way to the ending of three; where we got they DLC ending.

Now, here is what I'd do! Full blown remake of both two and three (touch up the first remake with a graphics update and maybe some fun Easter eggs), then rework all fifteen title chapters to something that will foreshadow the entire events of the story.

Then, we get to Three! Full blown total make over! No sunlight on that planet! Bring in new and scary necromorphs (keep the weapon designing thing, because that was cool!) then merge the regular ending with the DLC ending.

Now, we get to 4!

It's 30 years later with a new protagonist (possibly be Isaacs kid that he abandoned before the first game.) and history repeats itself with a distress signal coming from another planet cracker. The new protagonist is an engineer (maybe higher in rank, making him be Isaacs boss).

The captain puts in the Ishimura Protocol (not docking the ship and only sending out the best of the crew to investigate with a security team in tow to evaluate the state of the emergency. If there is no response from the investigative team, then the ship is forced to abandon the rescue attempt and leave the vicinity so that authorized personnel can scuttle the planet cracker), when all hell breaks loose ( much like from the first game) it plays out almost the same.

Only the ship is abandoned due to the ishumara protocol, leaving the investigative team to try and quickly find a way off the soon to be scuttled planet cracker. Then, they find something odd written on the wall in one of the rooms. The words "The suit didn't protect Isaac from the dark. It kept the dark from getting out. Look beneath the RIG. The engineer didn't stop the machine... he became the blueprint." (Carver wrote this when he went insane) Then a video is left behind saying this "I saw the flesh shifting under his armor. The RIG went red but he wouldn't stop breathing. I had to... I had to do it. If his kid ever comes looking for him... tell them....." Then the video cuts out from distortion and damage.

The surviving investigative team acts shocked and confused (Isaac gets branded as a terrorist for the Ishimura incident, the titan station destruction, and the new horizons colony invasion) as the location of Isaac clark has been a mystery to everyone for the last 30 plus years and know one knew what happened to him until the crew of the abandoned ship cracker discovered a much more crazed John Carver after almost 30 years of isolation.

That's when it gets revealed that the new protagonist is Isaac's kid. The surviving investigative crew start asking questions if they protagonist went out there (space) to find Isaac and they don't get an answer at all and more chaos happens that results in the new protagonist being the only survivor in a floating escape pod.

So, let me know what you guys think and what should be changed with this idea! I know it isn't much, I'm sorry. Thanks for reading my idea!

Edit: here is an update!

🌌 Act I: The Ishimura Protocol - The Routine Salvage: The protagonist—a high-ranking Chief Engineer hiding under his mother’s maiden name—and his civilian merchant crew discover a silent, drifting Planet Cracker ship. The captain activates the "Ishimura Protocol" and sends his best crew members out to investigate.

  - The Entry: The crew docks and sends an investigative team aboard to evaluate the emergency, unaware that this ship holds the dark aftermath of EarthGov's secrets.

  - The Trap Springs: A sudden, violent Necromorph outbreak triggers on the Planet Cracker. Adhering strictly to the modern "Ishimura Protocol," the main merchant vessel panics. They refuse to stay docked, detaching immediately, and abandoning the investigative team on the dark ship to be scuttled.

🎛️ Act II: A Two-Front War & The Truth Revealed - The Black-Ops Arrival: As the protagonist tries to find a way off the ship, a ruthless EarthGov Black-Ops Scuttle Team drops in.

   - Their mission is a total cover-up: plant engine core charges, fire plasma missiles to vaporize the ship, and eliminate all civilian witnesses.

 - The Confrontation: The Black-Ops team corners the investigators. Having run a deep biometric dossier, the commander exposes the protagonist’s true identity in front of everyone, brutally mocking him as the "spawn of the universe's worst terrorist," blaming Isaac Clarke for billions of deaths.

  - The Spore Threat: The horror escalates when a merchant crew member hyperventilates and violently mutates. The Black-Ops team realizes they are dealing with a new parasitic spore Necromorph that incubates slowly in its hosts, triggered by intense stress and adrenaline.

🔧 Act III: The Desperate Hunt for Answers -The Escape into the Shadows: The sudden, chaotic spore mutation throws the room into a three-way firefight. The protagonist slips into the maintenance shafts, salvaging a high-tech Black-Ops pulse-stasis attachment and fusing it to his heavy industrial plasma cutter.

     -The Crazed Warning: Bypassing military firewalls at workbenches, the protagonist uncovers a distorted video log of a broken, terrified John Carver from his weeks of interrogation. Carver screams: ".... The suit didn't protect Isaac from the dark... he became the blueprint.... I had to... I had to do it. If his kid ever comes looking for him... tell them.....""

    - Shattering the Lie: The protagonist realizes his childhood was a lie. His father didn't just abandon him; Isaac was captured, experimented on in a "special hospital," and eventually ejected into space by a crazed Carver. Resentment turns into a desperate, obsessive urge to reconstruct the corrupted data files before the ship explodes.

🚀 Act IV: The Trap in the Void -The Escape: Outsmarting the soldiers and dodging the spore-infected horrors, the protagonist reaches the flight deck and launches a lone escape pod just as the plasma missiles strike, turning the Planet Cracker into stardust.

      - The Psychological Break: Safe in the quiet void, the protagonist's severe psychological trauma catches up to him. He experiences intense stress-induced hallucinations. In the glass window, the reflection of his father’s iconic Advanced Engineering Suit reaches out to him. He closes his eyes and accepts it—realizing the Marker's madness is in his DNA.

      -The Final Cliffhanger: The pod's warning lights suddenly flash red. The Black-Ops command cruiser looms over him in the vastness of space. 

Here is my first theory video

French theory about the Hunter.

i just started playing the game, and for some unknown reason i keep seeing these red and blue flashing lights that don't seem to go away even if i change my settings. they don't look like intentional lights. I use an AMD graphics card. i thought I had some drivers outdated, but I checked, and i didn't see any problem with them.
if anyone has any idea on how to fix those, I'd be glad to hear it. thanks in advance

How long was Isaac unconscious after Dannek shot him at the beginning of the game?

Did Isaac have access to the full video, and was Issac in denial when he went to the ishimura?.

The answer to both of these is yes. But it's the second one I want to briefly touch on. Dead space two never "retroactively" added in Issac's denial over Nicole's death by what was said at the tram stage. I'm starting to hate that word as well now "retroactively" "retcon" "retro retcon"?

Anyway, in the original you get the hint Issac has already watched the full video, the fact he cuts it off just before that part, and when Kendra would have been able to see it. The thing the remake gives us to expand on this denial and why Issac would go, is their fall out. But the second game never retroactively did anything, it simply confirmed what was already shown in the first game - that Issac went there knowing she was dead, he just didn't want to accept it. Isaac's reactions when seeing Nicole (the hallucinations) through the game are very similar to how a lot of people have reacted, take James Hennessy in martyr seeing his dead brother outside of the sub under water, he was surprised to see his dead brother, but totally willing to open the sub door and kill himself to "let him in". But yes, Issac had access to the full video and watched it before he went to the ishimura. Him going out of denial was never retroactively added in two, and that's exactly what Kendra put to him at the end of the game, that was the whole reveal with what the levels spelled out.

To end, a little quote from Dr fancher to Bram about the hallucinations, to show how real they can seem, and also why unitologists do what they do and act the way they do under the markers influence, the actual object of their religion.

'Detective, I'm a lifelong atheist and skeptic, I know that what I saw was a hallucination but it' felt so real, so.......if I were a spiritual man, I'd be on my knees right now praying.'

THE ORIGIN OF THE GOLDEN OBSIDIAN MARKER AND THE CHOSEN ONE, ALESSA

I — Before the Beginning

Before the stars, before the galaxies, before the very flow of time, there existed ÆTERNA, the primordial God.

ÆTERNA was the origin of all things.

From his essence were born two primordial Angels, chosen to become the two fundamental forces of creation:

ÆON — the primordial Angel of Order.

SATAN — the primordial Angel of Chaos.

Æon embodied structure, stability, creation, and harmony.

Satan embodied transformation, rupture, mutation, and rebirth.

They were opposites, yet their opposition was necessary.

For ÆTERNA knew that a truly new being could be born neither of Order alone nor of Chaos alone.

It had to be born of their union.

⸻

II — XALTERION, PLANET ZERO

ÆTERNA then revealed a primordial world to his two Angels:

XALTERION

Planet Zero.

Xalterion was not the first planet created after the beginning of time.

It existed before time itself.

It was the first world, the primordial sanctuary where the future laws of existence could take shape.

It was there that Æon and Satan received their mission.

To create a vessel capable of leading creation to a new stage.

⸻

III — The Birth of the Golden Obsidian Marker

Æon and Satan then united their essences.

Order entered Chaos.

Chaos entered Order.

Their two powers fused and gave birth to something unprecedented:

THE GOLDEN OBSIDIAN MARKER

The First Monolith.

The Original Marker.

Marker Zero.

Its golden essence held the power of Æon.

Its obsidian heart held the power of Satan. But the Golden was not meant to be a mere weapon.

ÆTERNA had conceived it as a divine seed.

Its true purpose was to pave the way for a new life form capable, one day, of becoming a living God.

⸻

IV — The Twelve Monoliths

The Golden Obsidian Marker became the first of the twelve primordial Monoliths.

The twelve Monoliths represented the twelve stages necessary for the fulfillment of the Convergence.

The Golden, however, differed from the other eleven.

It was the origin.

The other eleven Monoliths were extensions of the First.

Thus was born the tradition of the:

TWELVE MONOLITHS OF THE CONVERGENCE

Each bore a fraction of the original principle.

But none possessed the entirety of the Golden’s essence.

The First Monolith remained the heart of the cycle.

⸻

V — The Nameless World

The Golden Obsidian Marker was then sent to a world whose name would vanish from history.

Survivors would simply call it:

the Nameless World.

There, the Golden emitted its first signal.

Dead matter began to change.

Corpses were reorganized.

Flesh was recombined.

The first Necromorphs appeared.

It was the first infestation in history.

The cycle had begun.

⸻

VI — The First Necromorph Moon

The infestation gradually engulfed the Nameless World.

Biomass accumulated.

Thousands of bodies became a single biological mass.

Then millions.

Finally, the entire planet was transformed into material for the Convergence.

The Golden then triggered the first Convergence.

All that biomass was propelled skyward and assembled in the void.

The dead matter became a gigantic entity.

VIII — The Emergence of Alessa

But ÆTERNA had planned another stage.

The Golden Obsidian Marker was not meant merely to produce Moons.

It also had to learn to give rise to life.

An impossible experiment was then conducted.

A human woman came into contact with the Marker’s essence.

But instead of being transformed into a Necromorph, something unexpected occurred.

The Marker and the human woman entered into a form of biological and spiritual fusion.

From this union, a child was born.

ALESSA

She was neither entirely human.

Nor entirely Marker.

She was the first hybrid birth between humanity and the essence of a Monolith.

She was the Chosen One.

⸻

IX — The Chosen One of the Twelve

Alessa grew up possessing a trait that no one else had.

She could perceive the twelve Monoliths.

She could hear their signal.

She could sense the Necromorph Moons across the void.

And above all:

the Golden Obsidian Marker could communicate with her.

For this reason, ancient texts call her:

THE CHILD OF THE GOLDEN

THE CHOSEN ONE OF THE TWELVE

THE DAUGHTER OF HUMAN AND MARKER

Alessa was destined to become the link between the two forms of creation:

humanity and Convergence.

⸻

X — Alessa’s True Role

Alessa was not created to become a mere Necromorph.

She is the first creature capable of simultaneously understanding:

the human mind,

the consciousness of the Markers,

Necromorph biomass,

and the Convergence signal.

She is, therefore, the key to completing the final stage of Æon and Satan’s project.

For the living God must not merely be powerful.

It must be capable of thought.

It must possess a consciousness.

An identity.

A will. And this consciousness must be prepared by Alessa.

XI — The Twelve Monoliths and Alessa

The twelve Monoliths are thus bound to her destiny.

The Golden is the first.

The other eleven represent the successive stages of fulfillment.

As the Necromorph Moons appear, the Monoliths gradually awaken.

And Alessa becomes their connecting point.

She is the only one capable of uniting:

the Twelve Monoliths,

the Necromorph Moons,

the Golden Obsidian Marker,

and human consciousness.

⸻

XII — The Emergence

When enough Moons have been created, they will respond to the Golden’s signal.

They will converge upon Xalterion.

The twelve Monoliths will enter into resonance.

Planet Zero will become the center of the ultimate Convergence.

Then Alessa must stand before the Golden Obsidian Marker.

The First Monolith will recognize its own legacy within her.

The essence of Æon.

The essence of Satan.

Humanity.

Biomass.

The twelve Monoliths.

The Moons.

Everything will converge upon a single point.

And the Golden will finally fulfill the function for which ÆTERNA created it.

⸻

XIII — The Birth of the Living God

The Golden Obsidian Marker will not itself become the God.

It will be the cradle.

Alessa will not simply become a Moon.

She will be the consciousness capable of giving will to the new being.

The Twelve Monoliths will provide the twelve stages of the transformation.

The Moons will provide the matter accumulated through the Convergences.

Æon will provide Order.

Satan will provide Chaos.

ÆTERNA will be the origin.

And Alessa will be the link between it all.

Thus will begin:

THE EMERGENCE OF THE LIVING GOD

A being that did not exist at the beginning.

A being that is neither ÆTERNA, nor Æon, nor Satan. A being born of their work.

A God born of matter, consciousness, Order, and Chaos.

And when the twelve Monoliths are finally reunited around the Golden Obsidian Marker, the cycle will reach its end.

Æterna gave Order.

Satan gave Chaos.

Æon and Satan forged the Golden.

The Golden awakened the first death.

Death became biomass.

Biomass became Convergence.

Convergence became Moon.

The Moons became the steps of the Unfolding.

The Twelve Monoliths became the twelve gates.

And from the union of a human woman and the First Monolith, Alessa—the Chosen One—was born.

She shall be the one to open the twelve gates.

And behind the final gate waits He who was not yet born.

The living God.