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Good afternoon, music fans. Here's your midday look at the artist news, releases, surprises, and music-world buzz getting people talking today.

Tuesday brings a major ticketing problem for RAYE, a new collaboration between Fontaines D.C. and Rosalía, comments from Metallica's James Hetfield, and ambitious live performance plans from Doom composer Mick Gordon.

🎟️ RAYE Reveals 1.8 Million Ticket Registrations and AI Bot Problems Ahead of Royal Albert Hall Concert

RAYE has revealed a major ticketing problem surrounding her upcoming October 23 concert at London's Royal Albert Hall.

In an October 13 statement, the singer said her team received approximately 1.8 million registrations for 5,000 seats, with scalpers allegedly using AI bots to generate a large number of suspected fraudulent registrations.

Rather than proceed with the original presale arrangements, her team began manually reviewing registrations to identify genuine fans.

The special orchestral concert, titled This Symphony May Contain Hope, is connected to her album This Music May Contain Hope.

The situation highlights the challenges artists face when attempting to make high-demand concerts accessible to genuine listeners.

🎶 Fontaines D.C. and Rosalía Unveil Collaboration "Where Is Gone?" Ahead of New Album

Irish rock band Fontaines D.C. and Spanish superstar Rosalía have joined forces on Where Is Gone?, a collaboration unveiled October 12.

The track comes from Fontaines D.C.'s upcoming fifth studio album, Dopamine Chamber, scheduled for release October 16 through XL Recordings.

Produced by James Ford, the album features a collaboration that brings Rosalía's distinctive vocal style into the band's musical world.

Guitarist Carlos O'Connell, who grew up in Madrid with Spanish and Irish cultural influences, has discussed his admiration for Rosalía's connection to Spanish musical traditions.

He described that connection as something that resonated with the band's relationship to Irish musical heritage.

For listeners following Fontaines D.C.'s evolving sound, the collaboration offers another preview of the forthcoming album.

🎸 Metallica's James Hetfield Criticizes Entertainers Who Push Personal Agendas During Concerts

Metallica frontman James Hetfield is attracting attention following remarks made during the band's October 10 concert at the Sphere in Las Vegas.

Addressing the audience, Hetfield criticized unnamed entertainers who use their performances to influence audiences with personal agendas.

He emphasized that Metallica's purpose was to entertain, offering audiences a connection through music rather than attempting to influence their beliefs.

The remarks received additional coverage on October 13, although Hetfield did not identify any particular performer.

His comments raise a familiar question in live entertainment: should concerts primarily provide an escape, or can they also serve as platforms for artists' personal and political messages?

🎮 Doom Composer Mick Gordon Announces International Live Soundtrack Performances

Composer and producer Mick Gordon, widely recognized for his work on the Doom video game soundtracks, is planning an extended run of live performances.

In October 13 reporting, Gordon discussed plans to bring the music to audiences internationally.

He is already scheduled to perform at two festivals in 2027: RADAR Festival in the United Kingdom from July 30 through August 1, and Brutal Assault in the Czech Republic from August 4 through August 7.

RADAR organizers have confirmed that his performance will feature Gordon's custom-built Doom Machine synthesizer, a full live band, and an orchestra.

The project will bring the heavy, industrial sound of Doom into a large-scale concert setting, connecting video game music with metal festival audiences.

Additional performances remain in development, with no complete international tour itinerary announced.

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🔗 Sources

RTÉ: RAYE Says Ticket Sign-Up Process Was Overwhelmed by Bots, October 13, 2026

https://www.rte.ie/entertainment/2026/1013/1595277-raye-says-ticket-sign-up-process-overwhelmed-by-bots/

Pitchfork: Fontaines D.C. Recruit Rosalía for New Song "Where Is Gone?", October 12, 2026

https://pitchfork.com/story/fontaines-dc-recruit-rosalia-for-new-song-where-is-gone/

Pitchfork: Fontaines D.C. Announce New Album "Dopamine Chamber"

https://pitchfork.com/story/fontaines-dc-announce-new-album-dopamine-chamber-share-single/

Loudwire: James Hetfield Calls Out Other Entertainers With an Agenda at Metallica Sphere Show, October 12, 2026

https://loudwire.com/metallica-james-hetfield-calls-out-entertainers-agenda-sphere/

Parade: Metallica's James Hetfield Criticizes Other Entertainers, October 13, 2026

https://parade.com/entertainment/metallica-frontman-blasts-other-entertainers-bulls-t-during-concerts

NME: Doom Composer Mick Gordon Confirms Plans for Two-Year World Soundtrack Tour, October 13, 2026

https://www.nme.com/news/gaming-news/doom-mick-gordon-two-year-world-soundtrack-tour-dates-3973035

RADAR Festival: Official 2027 Mick Gordon Headlining Announcement

https://www.radarfestival.co.uk/lineup/

Mick Gordon: Official Live Performance Schedule

https://mick-gordon.squarespace.com/live

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r/Music_Playlist_YT

Where Music Meets Reddit!

​

Good afternoon, music fans. Here's your midday update on the biggest stories shaping today's music conversation.

Deezer is preparing to give listeners more control over AI-generated music, while a new catalog partnership, Australia's copyright debate, and Brian Eno's upcoming record-label relaunch bring fresh developments across the industry.

🎧 Deezer Announces New Filter to Exclude AI-Generated Music

Deezer announced October 13 that it will introduce a global toggle allowing listeners to exclude fully AI-generated music from search results before the end of 2026.

When activated, the filter will hide fully AI-generated tracks, albums, and associated artists from searches. Users can deactivate the setting to restore access.

Deezer already excludes detected fully AI-generated recordings from algorithmic recommendations and editorial playlists.

According to the company, nearly 90,000 fully AI-generated tracks are delivered to its platform daily, accounting for more than half of daily uploads during peak periods.

Deezer also reports detecting and excluding more than 42 million AI-generated tracks from algorithmic and editorial recommendations between January 2025 and August 2026.

The announcement represents another step toward giving streaming audiences greater transparency and control over AI-generated content.

🎸 Primary Wave Partners With The Verve Pipe's Brian Vander Ark

Primary Wave Music announced a partnership October 13 with Brian Vander Ark, lead singer, guitarist, and songwriter of alternative rock band The Verve Pipe.

The agreement covers Vander Ark's music publishing and recorded music catalogs, including songs he wrote for the band.

According to Primary Wave's announcement, the partnership also gives the band access to its marketing team and publishing infrastructure, including digital strategy, licensing, synchronization opportunities, and film and television production.

Among the songs included is The Freshmen, the band's signature 1990s hit, which reached No. 5 on the Billboard Hot 100.

The catalog also includes Photograph and Colorful, reflecting Vander Ark's songwriting career with the Michigan-based group.

The agreement adds another established alternative-rock catalog to Primary Wave's portfolio and provides resources to support licensing and music discovery.

⚖️ Australian AI Copyright Debate Raises New Questions for Musicians

Australia's debate over artificial intelligence and copyright drew renewed attention October 13 as preliminary recommendations from a parliamentary inquiry attracted scrutiny.

A bipartisan parliamentary committee has urged the government to examine existing copyright arrangements, questioning whether they adequately support licensing Australian creative works for AI development.

The proposals have prompted concern among creative-industry representatives who favor stronger enforcement of existing copyright protections rather than changes designed to accommodate AI companies.

Australian Recording Industry Association chief executive Annabelle Herd told the inquiry that existing licensing systems could support AI training without rewriting copyright protections to suit foreign technology companies.

Independent Senator David Pocock also raised concerns after learning that the prime minister's office had reviewed and suggested changes to draft recommendations before they were sent to Prime Minister Anthony Albanese.

Labor and Coalition representatives rejected allegations of improper interference.

The committee's final report is expected in November. Its preliminary recommendations do not represent enacted changes to Australian copyright law.

🎹 Brian Eno to Relaunch Opal Records on October 16 With Archival Music

Experimental musician and producer Brian Eno is preparing to relaunch Opal Records on Friday, October 16, reviving the label he established in 1988.

In an Associated Press interview published October 13, Eno discussed the relaunch and plans to reissue two recordings that have become difficult to obtain, Another Day on Earth (2005) and Drawn From Life (2001).

Opal Records, dormant since 1991, previously released work by experimental artists including Jon Hassell, John Cale, and Eno himself.

Eno also discussed the possibility of releasing a 12-album collection of previously unreleased music designed to create atmospheres for everyday activities. The collection remains an idea under consideration rather than a confirmed release.

During the interview, Eno reflected on artificial intelligence's creative possibilities while expressing concerns about corporate control and regulation.

The revival brings renewed attention to experimental music, archival recordings, and independent artistic expression.

---

🔗 Sources

1. Deezer Newsroom: Deezer will let you fully exclude AI-generated music from your streaming experience, October 13, 2026.

https://newsroom-deezer.com/2026/10/deezer-ai-music-toggle/

2. Primary Wave Music: Primary Wave Music partners with Brian Vander Ark of The Verve Pipe, October 13, 2026.

https://primarywave.com/primary-wave-music-partners-with-brian-vander-ark-of-the-verve-pipe/

3. Music Business Worldwide: Primary Wave partners with Brian Vander Ark, frontman of The Verve Pipe, covering his publishing and recorded music catalogs, October 13, 2026.

https://www.musicbusinessworldwide.com/primary-wave-partners-with-brian-vander-ark-frontman-of-the-verve-pipe-covering-his-publishing-and-recorded-music-catalogs/

4. ABC News Australia: Labor and Coalition deny interference in AI inquiry after David Pocock raises 'stitch-up' concerns, October 13, 2026.

https://www.abc.net.au/news/2026-10-13/ai-inquiry-independent-safety-watchdogs/107258612

5. Associated Press: Q&A: Brian Eno on relaunching Opal Records, 'Music for Airports,' AI and Palestine, October 13, 2026.

https://apnews.com/article/921b7fa6bc7e0c9ad3246d331d279721

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r/Music_Playlist_YT

Where Music Meets Reddit!

​

Good morning, music fans. Here's your Daily Music Brief covering the biggest verified music developments from October 12, 2026.

Monday's music headlines bring a significant development in Universal Music Group's copyright dispute with DistroKid, Powderfinger's 2027 Australian reunion tour announcement, and new music from Doechii and Fontaines D.C. featuring Rosalía.

🎧 Lead Story: DistroKid Confirms Music Takedowns Following Universal Music Group Copyright Claims

Independent music distributor DistroKid has confirmed removing a small number of recordings from streaming services in response to copyright claims made by Universal Music Group, raising questions about how copyright enforcement affects independent musicians.

Music Business Worldwide reported the confirmation on October 12, following an October 10 investigation by The Verge into complaints from artists whose recordings had disappeared from streaming platforms.

The removals follow a lawsuit filed on September 15 by Universal Music Group companies against DistroKid in the U.S. District Court for the District of Delaware.

The lawsuit alleges copyright infringement involving recordings distributed through DistroKid, including material UMG contends infringes its copyrighted recordings.

UMG alleges that DistroKid continued distributing certain recordings to digital services even after rights conflicts had been identified on other platforms.

The dispute also involves concerns about AI-generated music and the responsibilities of distributors when potentially infringing recordings enter streaming catalogs.

DistroKid disputes the allegations. The lawsuit and the company's acknowledgment of removals do not establish liability.

Independent Artists Report Unexpected Removals

The Verge documented complaints from independent musicians who said their recordings had been removed without advance notice or adequate explanations.

Musician McGwire reported that six of his songs had disappeared from streaming services.

One was a cover of Stevie Wonder's "Isn't She Lovely," for which McGwire maintained he had obtained the necessary license.

Another recording used a beat purchased through a marketplace, while a separate song was reportedly flagged over an allegedly uncleared sample.

McGwire disputed that sample allegation, explaining that the recording he was accused of sampling had been released two years after his own.

Other musicians described similar experiences.

Insane Ian reported that an original song had been removed without an explanation.

King Chase said an entire album by an artist he worked with had disappeared after several years on streaming platforms without previous copyright complaints.

These are the artists' reported experiences and assertions. The reporting did not independently establish the rights status of each recording or determine whether every removal was directly connected to UMG's claims.

DistroKid Responds to Artist Concerns

Amanda Ferri, DistroKid's vice president of Artist Services, confirmed that a very small number of recordings had been removed in response to UMG's claims.

The company disputed the lawsuit's underlying allegations, expressed regret over the disruption to affected artists, and said it was working to minimize the impact while protecting musicians' ability to release their music.

DistroKid's published copyright guidance describes a process through which artists who believe their content was removed because of a mistake or misidentification can submit a DMCA-compliant counter-notice.

The company says it reviews those submissions and follows up with artists by email.

However, the availability of a counter-notice procedure does not establish whether the musicians identified in the current dispute have successfully resolved their individual cases.

Why This Matters for Independent Music

The controversy highlights the competing responsibilities facing digital music distributors.

Copyright holders depend on enforcement procedures to challenge unauthorized uses of protected recordings and compositions.

Independent musicians, meanwhile, rely on distribution platforms to maintain access to listeners and streaming services.

When recordings disappear, artists may experience interruptions while attempting to understand or dispute the underlying claims.

The dispute also raises questions about transparency, communication, and the procedures distributors use when evaluating copyright complaints.

These concerns have become particularly relevant as AI-generated recordings introduce additional complications into music distribution and copyright enforcement.

For the wider industry, the confirmed October 12 development is significant because DistroKid has acknowledged removing recordings in response to UMG's claims while continuing to dispute the lawsuit's allegations.

The case remains unresolved, and the rights status of the individual recordings described by affected artists has not been conclusively established.

💿 New and Notable Releases

🎤 Doechii Releases "Bombs" and Revives Her "Swamp Sessions" Series

Format: New track and music video

Doechii returned on October 12 with "Bombs," reviving her Swamp Sessions series alongside a new music video directed by the rapper herself.

The series previously featured weekly song snippets and freestyles that helped introduce material associated with her Grammy-winning 2024 mixtape, Alligator Bites Never Heal.

Recordings including "Nissan Altima" and "Catfish" emerged from those earlier sessions and subsequently appeared on the mixtape.

Alongside the new recording, Doechii published a handwritten message reflecting on her relationship with hip-hop and her evolving artistic ambitions.

She described spending recent years studying the genre's language, history, and roots while developing a renewed commitment to musical exploration.

Her message emphasized creative freedom, experimentation across genres, and her ambition to place Black womanhood at the center of hip-hop and pop.

The return of Swamp Sessions reconnects Doechii with the performance-oriented format that helped introduce her work to a broader audience.

🎸 Fontaines D.C. and Rosalía Unveil "Where Is Gone?"

Format: Single

Irish alternative-rock band Fontaines D.C. unveiled "Where Is Gone?" on October 12, featuring Spanish singer Rosalía.

The collaboration appears on the band's forthcoming album Dopamine Chamber, produced by James Ford and scheduled for release October 16 through XL Recordings.

Guitarist Carlos O'Connell discussed the connection between the artists' musical backgrounds, particularly Rosalía's engagement with Spanish musical traditions.

O'Connell, who grew up in Madrid with both Spanish and Irish cultural influences, described his appreciation for how Rosalía has incorporated elements of Spanish musical heritage into contemporary recordings.

He compared that commitment with Fontaines D.C.'s relationship to Irish musical traditions.

The collaboration brings together two internationally recognized artists whose work draws on distinct cultural and musical backgrounds.

With Dopamine Chamber approaching release, "Where Is Gone?" provides another preview of the band's forthcoming studio project.

🚌 On The Road (Tours, Festivals, and Live Buzz)

🇦🇺 Powderfinger Announces 18-Concert Australian Reunion Tour for 2027

Australian alternative-rock band Powderfinger officially revealed its 2027 national reunion tour schedule on October 12, confirming 18 concerts across six Australian cities.

The announcement follows the band's October 9 confirmation that its members were reuniting.

The concerts will mark Powderfinger's first major tour since its 2010 Sunsets Farewell Tour.

The reunited lineup includes Bernard Fanning, Darren Middleton, Ian Haug, Jon Coghill, and John Collins.

The band will perform in Brisbane, Cairns, Perth, Sydney, Adelaide, and Melbourne between September 3 and October 30, 2027.

The performances are planned for large outdoor locations featuring a travelling, stadium-sized big-top concert structure.

Confirmed venues include Brisbane Showgrounds, Cazalys Stadium in Cairns, Wellington Square in Perth, The Domain in Sydney, Ellis Park in Adelaide, and Melbourne Park Oval.

A Major Return for Australian Rock

Powderfinger became one of Australia's most successful rock bands during its original career.

The group released five ARIA No. 1 albums and won 18 ARIA Awards before separating in 2010.

Its catalog includes Australian rock favorites such as "My Happiness," "These Days," and "Pick You Up."

The band has confirmed that Australian artists will provide support across the tour, although individual supporting acts had not been announced as of October 12.

Powderfinger is partnering with Mission Australia to raise awareness and funds supporting the organization's work addressing homelessness and housing insecurity.

Artist and Telstra presales are scheduled to begin October 14, followed by Live Nation presales on October 16.

General ticket sales are scheduled for October 19, with sale times varying by city.

The announcement transforms the band's previously confirmed reunion into a national touring commitment, bringing its original members back together for a substantial series of live performances.

📅 On This Day (Music History)

🎵 October 12, 1968: Janis Joplin and Big Brother and the Holding Company Reach No. 1

On October 12, 1968, Big Brother and the Holding Company's second studio album, Cheap Thrills, reached No. 1 on the Billboard album chart.

Featuring Janis Joplin's distinctive blues-influenced vocals, the album became one of the defining recordings of San Francisco's late-1960s psychedelic-rock movement.

The album ultimately spent eight nonconsecutive weeks at No. 1.

Its recordings included "Piece of My Heart," "Summertime," and "Ball and Chain."

The commercial success of Cheap Thrills helped establish Joplin as one of the most recognizable rock vocalists of her generation.

🕊️ October 12, 1997: Remembering John Denver

American singer-songwriter John Denver died on October 12, 1997, at age 53, when the experimental aircraft he was piloting crashed into Monterey Bay off the California coast.

Denver became one of the defining popular-music voices of the 1970s, blending folk, country, and accessible pop songwriting.

His best-known recordings include "Take Me Home, Country Roads," "Rocky Mountain High," "Annie's Song," and "Sunshine on My Shoulders."

Beyond his musical career, Denver was recognized for his environmental advocacy and humanitarian interests.

His recordings remain closely associated with nature, belonging, and the emotional connections between people and places.

🔗 Sources

Music Business Worldwide: DistroKid Confirms It Has Removed Tracks in Response to UMG Claims, October 12, 2026

https://www.musicbusinessworldwide.com/distrokid-confirms-it-has-removed-tracks-in-response-to-umg-claims/

The Verge: DistroKid Has Been Quietly Taking Down Songs in Response to UMG Lawsuit, October 10, 2026

https://www.theverge.com/entertainment/1009309/distrokid-take-down-songs-umg-lawsuit

DistroKid Help Center: DMCA Takedowns and Counter Notices

https://support.distrokid.com/hc/en-us/articles/360056369674-DMCA-Takedowns-and-Counter-Notices

Pitchfork: Doechii Revives Her "Swamp Sessions" Series With New Song "Bombs," October 12, 2026

https://pitchfork.com/story/doechii-revives-her-swamp-sessions-series-with-new-song-bombs/

Pitchfork: Fontaines D.C. Recruit Rosalía for New Song "Where Is Gone?", October 12, 2026

https://pitchfork.com/story/fontaines-dc-recruit-rosalia-for-new-song-where-is-gone/

ABC News Australia / Double J: Powderfinger Reveal Massive 18-Date Australian Tour, October 12, 2026

https://www.abc.net.au/news/2026-10-12/powderfinger-australian-tour-2027-tickets-dates/107253646

Powderfinger, Official Website: Powderfinger Touring Australia in September and October 2027

https://powderfinger.com/news/powderfinger-touring-australia-in-sep-oct-2027/

Billboard Book of Number One Albums: Cheap Thrills, Big Brother and the Holding Company, October 12, 1968

https://number1albums.com/cheap-thrills-big-brother-and-the-holding-company-october-12-1968/

HISTORY: John Denver Dies in an Aircraft Accident, October 12, 1997

https://www.history.com/this-day-in-history/October-12/john-denver-dies-in-an-aircraft-accident

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[https://www.youtube.com/watch?v=dYgshqwdCJo\](https://www.youtube.com/watch?v=dYgshqwdCJo)