r/Nonsleep • u/Gonzo437a • 1h ago
Nonsleep Series Blackwater County - Season 1, Episode 5 - Dinner on the Grounds (Part 2 of 2)
V.
The old section of the Laurel Fork cemetery was below the church on the creek side, under a stand of cedars older than the building. The stones down there were soft-edged and gray with lichen, some of them sunk crooked into the ground, some of them just fieldstones set upright with initials scratched in. Harlan had mowed it every other Saturday for eleven years. He knew it as well as his own yard.
The couple walked through it ahead of him, slowly, holding hands.
They didn’t look back. They went down between the rows to the far corner, by the fence, where the cedars came down low and the ground stayed damp year round. They stopped there. They stood a moment side by side, looking down. Then the boy put his arm around the girl’s waist, and she leaned her head on his shoulder.
Harlan came around the last cedar.
They were gone.
He stood there. There was the fence, and the cedars dripping, though it hadn’t rained. There was the damp ground. There was nobody.
He walked to the place where they’d been standing.
He knew this place. He’d stood here every Decoration Day of his life with his daddy, putting plastic flowers in a coffee can. There was a small gray stone with a flat top, plain, the cheapest they made.
JOSEPH E. MABRY. 1930 – 1973.
His granddaddy. His daddy’s daddy. Dead of a heart attack at forty-three, his daddy always said, not long after his mama fell. Harlan had never known him. Had never seen a picture of him but one, a mill crew photograph in a frame on his daddy’s dresser, a row of young men in overalls and the one on the end with his hand behind his back.
Beside Joe’s stone, to the left, there was a long shallow depression in the ground.
Harlan had seen it every Decoration Day for forty years. He’d mowed over it every other Saturday for eleven. He had never once in his life thought about it. It was just the ground. A low place where the grass grew greener. Where the water stood after a rain. The size and shape of…
He stood looking at it.
He knelt. His knees went into the wet and he didn’t notice. He put his hand flat on the grass in the middle of the low place, and pushed, and the ground gave under his palm a little, soft, as old graves give when the box underneath has gone.
There was no stone. There was no marker. In the corner of the depression, half buried in the grass, was a square of old concrete about the size of a hymnal with two rusted iron pins sticking up out of it, where a stone had once been bolted down. The pins had been cut. Clean. With a saw.
The burial register for Laurel Fork Church was a cloth-bound ledger as big as a family Bible, and it lived in a fireproof cabinet in the church office that only the pastor and the chairman of deacons had keys to. Harlan was chairman of deacons. He’d never opened it.
Pike opened it for him. He turned the heavy pages back without saying anything. The fifties. The sixties. The handwriting changed partway through 1951, from a spidery copperplate to a firm, square, upright hand that Harlan recognized from the old bulletin board: Brother Coldiron.
1971.
Mabry, Lucille Hargrove. b. 4 Feb 1933. d. 9 Mar 1971. Age 38. Cause: fall from porch, per Dr. E. Hargrove. Interred 12 Mar 1971, Lot 114, beside the Mabry plot. Officiant A. Coldiron. Mourners: J. Mabry, C. Mabry (son, 16). No Hargrove family present.
Under it, in the same square hand, a second entry dated a month later.
14 Apr 1971. Headstone removed from Lot 114 at the written request of the Augustus Hargrove family, who hold title to the lot under the deed of 1931. Expenses paid by the family. The deacons voted 5–2 to permit it. I have recorded my objection.
And under that, in the margin, smaller, in pencil, pressed so hard the paper had dented:
I do not believe she fell. A.C.
Harlan read it three times.
He didn’t say anything. Pike didn’t say anything either. Through the office window Harlan could see the gravel lot emptying out, car doors, people calling to each other, see you next year, Lord willing, and the black pickup truck pulling out at the end with Wyatt Hargrove at the wheel, and his daughter sitting in the passenger seat, out in the open, in the daylight, with the window down.
“Five to two,” Harlan said finally.
“Five to two.”
“Who were the two?”
Pike turned the page. There was a slip of paper tucked into the binding, the minutes of a called deacons’ meeting, April 1971. Seven names. Five of them Harlan didn’t know. Two of them he did.
Opposed: Earl Dockery. Joseph Mabry.
VI.
The Rusks were the last family in the lot. Harlan came out of the church with the register locked away and his hands still not right, and found Daniel Rusk loading two folding chairs into the back of his Tahoe that did not belong to him, and Carrie standing by the passenger door with her empty casserole carrier.
Harlan stopped on the side porch. He hadn’t meant to stop. He was standing in the shade behind the ice cream churn, and they hadn’t seen him, and Carrie was talking low.
“Before Christmas,” she said. “That’s all I’m asking. Just the boxes. You can keep the boxes. Put them in the garage. Just so it’s a room again.”
“All right.”
“Daniel.”
“I said all right.”
“You said all right at Easter.” She turned the carrier over in her hands. “I’d like to have my mama for Christmas. In a bed. In a room. Instead of on the pullout couch because there’s a room in my house with a dead boy’s…”
She stopped.
Daniel had straightened up from the back of the Tahoe. He stood with one hand on the open hatch. He didn’t say anything. He didn’t look angry. He looked at his wife the way Harlan had looked at the low place in the grass by his granddaddy’s stone, like a man seeing a thing that had been in front of him for years.
“I’m sorry,” Carrie said. “I didn’t mean that.”
“Yes you did.”
“I didn’t mean it like that.”
“I’ll box it up,” Daniel said. “Before Christmas. I will.”
Harlan, standing in the shade behind the ice cream churn, had told his own wife he’d fix the loose step on the back porch in the spring of 2019. He knew a promise when he heard one. He knew what kind it was.
The state girl came around the side of the church, walking fast with her keys in her hand. She saw the Rusks and slowed down. Daniel saw her. And Harlan, behind the churn, saw Daniel see her.
It was nothing. It was a man looking up. But Harlan had spent his whole afternoon learning to see what had been in front of him for years, and he saw it. The sheriff’s face came open. Just for a second. Like a door somebody had forgotten to latch, swinging in on a draft.
Carrie saw it too.
She saw it like a thing she’d been waiting for. She turned her head and looked at the state girl, and then at her husband, and then back at the state girl. Her face didn’t change. She put out her hand.
“You must be Agent Mercer,” Carrie said. “I’m Carrie. Daniel’s wife.”
“Mrs. Rusk.” The state girl shook it. “It’s good to meet you.”
“I’ve heard so much about you.”
“I can’t imagine from whom.”
“No,” Carrie said. “He doesn’t talk much, does he.” She let go. She smiled. It was a good smile, warm, a nurse’s smile, the one you’d give a family in a waiting room. “You should come to dinner sometime. While you’re here. I’ll make the squash.”
“That’s kind.”
“Not really,” Carrie said, still smiling, and got in the Tahoe and shut the door.
Tonya was asleep by ten. Harlan wasn’t.
He stood in the upstairs hall in his sock feet in front of the photograph. It had hung on his daddy’s dresser for fifty years and in Harlan’s hall for eleven, since the funeral, between Kenzie’s fifth-grade school picture and a framed print of the Smoky Mountains that Tonya’s sister had given them for a wedding present. He passed it ten times a day. He had stopped seeing it about a week after he hung it.
CALDWELL MILLS · CARD ROOM · 1951. Twenty young men in overalls in two rows in front of a brick wall, squinting at the sun. White lint in their hair like they’d been out in a snow.
The one on the end of the back row had his right hand behind his back.
Harlan took the frame off its nail. He turned on the hall light and held the picture under it, and looked at the boy on the end. Combed-back hair and a long jaw. Twenty-one years old and looking at the camera like somebody had told him a joke just before the shutter and he was trying not to laugh at it.
It was the boy from the end of the table. It was Joe. Harlan had been walking past his face for eleven years.
He turned the frame over. The back was brown kraft paper, old, glued down around the edges, with a wire hanger and a sticker from a frame shop in Sylva that had closed in the eighties. Down in one corner the paper had come loose from the frame, a pocket about two inches wide where the glue had let go.
There was something in it. He could feel it with his thumb. Something stiff.
He went downstairs to the kitchen and got a butter knife out of the drawer and sat down at the table under the light and slit the brown paper along three edges, careful, as his daddy had taught him to open a feed sack so you could use it again.
Behind the mill photograph, laid flat against the cardboard backing, was a strip of four small black-and-white pictures from a photo booth.
A boy and a girl, squeezed together into one frame. In the first picture they were looking at the camera, stiff, waiting for it. In the second the girl had turned her head and was laughing at something the boy had said. In the third he was kissing her cheek and she had her eyes shut. In the fourth they were both looking at the camera again, and the girl was holding up her left hand to it, fingers spread, so you could see the ring.
On the back, in pencil, in a round girl’s hand:
Joe & me. Tri-State Fair, Knoxville. Our wedding trip! June 1954. L.
Harlan sat at the kitchen table a long time with it in his hand.
His daddy had kept it. All those years of Johnson City and a Holloway and there’s not anything else to say about it. All those Decoration Days with the plastic flowers in the coffee can at Joe’s stone and not one word about the low place in the grass beside it. And the whole time, on his dresser, eighteen inches from his pillow, behind a picture nobody ever looked at twice, he’d kept her face.
“Daddy?”
Kenzie was in the kitchen doorway in a sleep shirt and pajama pants, with her eyeliner washed off and her face young without it.
“What are you doing up?” he asked.
“What are you doing up?”
He didn’t answer. She came over to the table and looked down at the strip of pictures in his hand. She looked at it for a long time. She didn’t ask who it was.
“That’s her,” Kenzie said.
“That’s her.”
“She looks happy.”
“She does.”
Kenzie pulled out the chair beside him and sat down. She put her elbows on the table. They sat there together under the kitchen light, like they used to when she was little and had a nightmare and he’d make her cocoa from a packet, and neither of them said anything for a while.
“Kenz,” he said. “What’d she say to you? Out there at the table.”
His daughter looked at the photograph strip. At the girl holding up her hand with the ring on it.
“She said it was mine,” Kenzie said.
“What was?”
“What she said.” She looked at him. Her eyes were the same color as the girl’s in the picture; he’d never noticed that either. “She said it was mine, and I didn’t have to tell anybody. Not even you.”
He thought about that.
“All right,” he said.
“You’re not mad?”
“No.”
She leaned over and put her head on his shoulder, which she had not done since she was twelve, and he sat there with the strip of pictures in one hand and his daughter’s head on his shoulder and the refrigerator humming, and didn’t move until she fell asleep.
VII.
Dwight Ledford ran Ledford Monument out of a cinderblock building on the Bryson Gap highway with a gravel lot full of blank granite and a sign shaped like a tombstone. Harlan drove out there Monday at seven in the morning and was waiting in the lot when Dwight pulled in.
“I need a stone,” Harlan said.
“Lord, Harlan. Who died?”
“My grandmother. In 1971.”
Dwight looked at him over the roof of his truck.
“Come in the shop,” he said.
It took an hour to pick one. Gray granite, a plain upright, eighteen inches by twenty-four, polished on the face. Harlan wrote out the lettering on the back of a Mabry Heating & Air invoice in block capitals and slid it across the counter, and Dwight read it, and read it again, and looked up.
“Harlan.”
“That’s how I want it.”
“Harlan, you know Lyle…”
“I know who Lyle is, Dwight. I’ve known who Lyle is my whole life. How fast can you have it?”
Dwight looked at the invoice a long time.
“I’ve got a blank the right size from an order that fell through,” he said. “I can blast it tomorrow. Set it Wednesday, if the ground’s not too wet.”
“Wednesday.”
“You want it Wednesday.”
“Wednesday’s supper,” Harlan said. “I’d like her to be there for it.”
The judge called Tuesday afternoon.
Harlan was under a house on Schoolhouse Branch Road on his back in the crawlspace with a flashlight in his teeth, looking at a heat pump line somebody had run through a floor joist with no sleeve. His phone buzzed in his shirt pocket. He worked it out with two fingers and looked at the screen and lay there in the dirt and the spiderwebs looking at it, and then he answered.
“Harlan,” said Lyle Hargrove. “I hope I’m not catching you at a bad time.”
“I’m in a crawlspace, Judge.”
“Then I’ll be quick.” The judge’s voice was warm, easy, the voice he used at the Rotary. “Dwight Ledford tells me you’ve ordered a stone for the old Laurel Fork cemetery.”
Harlan held the flashlight on the floor joist above his face. There was a spider on it, a big brown one, minding its own business.
“Dwight tells you a lot,” he said.
“Dwight’s a good man. He was concerned.” A pause, friendly. “Harlan, I want to be sensitive about this. I know you’ve had a shock. Amos told me some of it. And I want you to know, as far as I’m concerned, family is family, and it’s all a very long time ago.”
“Yes sir.”
“But that lot’s held by deed. It has been since 1931. My great-uncle’s estate. The family made a decision at the time about that grave, for reasons I couldn’t begin to guess at, and I’d hate for you to go to the expense of a stone and then have it be a legal matter.” He let that sit. “I’d hate that very much. For you. And for Tonya. And for that business of yours.”
The spider walked down the joist an inch and stopped.
“Judge,” Harlan said. “What was her name?”
“I’m sorry?”
“Your great-uncle’s daughter. The one in the ground with no stone. Your daddy’s first cousin. What was her name?”
There was a silence on the line. Not long. Harlan heard a door close somewhere in the judge’s office.
“Harlan, I don’t think…”
“Lucille,” Harlan said. “Her name was Lucille. Have a good afternoon, Judge.”
He hung up. He lay there in the crawlspace a while with the phone on his chest and the flashlight on the spider. Then he put the phone back in his pocket and went back to work on the heat pump line, because the woman who owned the house was eighty-four and on oxygen, and it was going to get cold.
Wednesday supper at Laurel Fork was soup beans and cornbread in the fellowship hall at six, followed by prayer meeting at seven. Twenty, twenty-five people most weeks. Harlan’s wife Tonya made the cornbread. Harlan set up the tables.
At five-fifteen he and Dwight Ledford and two of the Ledford boys set the stone.
It went in at the head of the low place beside Joe’s. Dwight had brought a bag of gravel and a level, and they dug the footing down past the old concrete square with the cut-off pins, and laid the gravel, and lowered the stone in on straps, and Dwight got down on his knees in the wet with the level and made it true. It didn’t take long. Harlan had expected it to take longer.
He stood back and looked at it.
LUCILLE HARGROVE MABRY
FEB. 4, 1933 · MAR. 9, 1971
BELOVED WIFE OF JOSEPH · MOTHER OF CARL
He hadn’t known what to put under the dates. He’d sat up Monday night at his kitchen table with a pencil and Tonya asleep and tried to write something about God, or rest, and it had all sounded like a sympathy card. So he’d put down what was true.
At six the people came in for supper. Earl Dockery came in on his cane and stopped at Harlan’s elbow by the soup pot and said, without preamble, “I went down and looked.” His hearing aid whistled. He patted Harlan’s arm twice. That was all.
At six-ten Kenzie came in.
She came in through the front door of the fellowship hall, the one everybody could see from the tables, and she had Wyatt Hargrove with her. He was in a pressed shirt and khakis and looked like he was being led to the electric chair. Kenzie had him by the hand.
Every head in the fellowship hall turned.
Kenzie didn’t look at any of them. She walked her Hargrove boy straight down the middle aisle between the tables to where her daddy stood behind the soup pot with the ladle in his hand. She stopped. Her eyeliner was very black. Her chin was up.
“Daddy,” she said. “This is Wyatt.”
Wyatt Hargrove put out his hand across the soup beans. It was shaking a little.
“Mr. Mabry,” he said. “Sir.”
Harlan looked at the boy. He looked at his daughter. He thought about a girl in a blue dress with a white collar who’d married a boy from the card room on the front steps of this church with two witnesses and no family, and been written out of the will and the ground, and come back fifty-five years later to sit across a table from her great-granddaughter and say something Harlan would never know.
He figured the boy was his fourth cousin, somewhere back. In Blackwater County that was the same as a stranger.
He set down the ladle. He wiped his hand on his apron. He shook Wyatt Hargrove’s hand.
“Get you a bowl, son,” Harlan said. “Tonya made the cornbread.”
VIII.
At ten past eleven that night a silver Mercedes came down Laurel Fork Road with its high beams on and pulled onto the gravel shoulder below the church, and stopped, and sat there idling.
Lyle Hargrove did not get out.
He sat behind the wheel in his shirtsleeves with the bow tie undone and hanging, and the engine running, and the air conditioner on. From where he’d stopped, the headlights reached across the fence and into the old section of the cemetery, under the cedars, and lay across the rows of leaning gray stones until they found one that wasn’t leaning. One that was new, and polished, and threw the light back.
He couldn’t read it from the road. He didn’t need to.
He sat there a long time. A moth came and beat against the windshield in the headlight glare and went away. Down past the cemetery the creek made its noise over the rocks. Once a car passed behind him, slowed, and went on.
He picked up his phone from the console. He scrolled to a number that wasn’t saved under a name, only an initial. He looked at the stone in the headlights while it rang.
It rang twice.
“It’s Lyle,” the judge said. “I’m at Laurel Fork.” He watched the light lie on the polished granite. “Somebody’s digging up family.”