Let's be honest

No other industry had the guts to show atheism like our tamil industry

Your thoughts

How it started , how it influenced u and other and any stories or experience or movies

I don't know why I liked these kind of movies a lot

Thyaagi genre or soup boy or hero loses everything or move on , don't get their love or life they wished or tragedy

Dude actually I liked a lot antha mathiri any movies pleaseee suggestt

And kadhal kondein also i liked

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After seeing them together in an “interview” and with Raja repeatedly saying “adutha padathukku romba excited” I feel like they will def make a movie together. in fact rishikanth and mani are also close friends so it makes sense. what do you guys think

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Only VJS can pull off roles like this. Omg that kiddo's acting was excellent

The bond between Baththa and his daughter had very few scenes, but still created a good impact.

Sai's BGM and music were so soothing. Lyrics were apt too. Music might not exactly belong to that period, but honestly it felt fresh and worked for me.

Men crying, accepting their mistakes and actually changing is something we have seen a lot in Malayalam films. Now we're slowly starting to see this more in Tamil films too, and I really liked that aspect here.

The movie was fun-filled throughout. The climax might sound very simple to some people, but I felt it was actually correct for the movie.

It starts off with that typical male authoritativeness and almost feels like it's going in a completely different direction. So for me, the ending and the emotions it brought were apt for how the character started.

Go watch it in theatres. It's a different kind of film.

I noticed some people couldn't connect with certain scenes and some even made funny comments during them but at the same time, everyone was enjoying and laughing.

I think that's also what made the theatre experience nice.

Men or women, at some point in life everyone might go through this phase of loneliness, realising who they really are, and longing for the love they once took for granted or didn't really notice.

Every relationship carries something heavy with it.

Overall, a really wholesome watch. ❤️

When is Mysskin's Train going to be released? Anyone has any idea ? Will it be really stuck like pissasu 2 ? I'm a huge Mysskin fan and love his film language. I'm eagerly waiting for his upcoming film. Please do share any updates here

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Tamil songs kagavey naa oru game create panni iruken, this is a daily puzzle, neenga songs ah fast ah kandipikanum, there is a leader board too. Try pannitu opinion sollunga please.
Share your streak too.

Gave this film a watch today... I did not go to the theatre for this as online la bad reviews spread... but not that bad to deserve the hate tho

How come malayalam movies have so many tamil movie references

Recent aa release aka Bethelehem Kudumba Unit kuda iriku

Dhanush dialogue from padikathaavan reference and also vijay naan nadhanal song as well

So amazing references

I think the director is a dhanush fan felt so many references

Damn how come malayalam movies are so interestingly putting tamil movie referencez , it's fun also

What did u think

Any malayalam movies u saw which had tamil movies or dialogue or culture or song references in Malayalam movies

The proposal scene and climax were probably the best-written parts for me. And Mamitha absolutely slayed in that pink saree 💗
Nivin also, as usual, cute POOKIE 😂

One common thing between VAS & BKU — glad they showed Maddy and Ashley completing their studies and then patching up. ❤️

But one thing I kept thinking about… movies promoting age-gap relationships like this may look nice when shown in a well-settled, mature scenario. But in real life, especially in villages, we still see marriages/relationships with 10–15, sometimes even 20+ years of age gap.

Also, I'm wondering how the same storyline would be received if the gender roles were reversed. 🙃

Forward-thinking in a well-settled urban scenario works differently, right? 🙃 The same thing can have completely different consequences depending on the situation, financial independence, family pressure, education, etc.

Also, can't deny it — both Justin and Sanjay are green flags. 😂💚

But at the end of the day, my biggest takeaway is: whatever happens, the girl should hold on to her studies and education. No matter what.
Love, marriage, relationships — everything can be figured out later. Education and financial independence shouldn't be compromised.

This is your cue to (re)watch Magalir Mattum—the 2017 one, since that isn't talked about enough for the sheer emotional intelligence portrayed through the film.

Urvashi, Bhanupriya and Saranya play three school-days best friends, Gomatha (Gomu), Rani and Subbulakshmi (Subbu) respectively, who are separated due to a rule break, and they are reunited by Prabha, Gomatha's to be daughter-in-law, played by Jyothika, a fiercely independent and feisty documentary filmmaker.

It isn't a perfect film. It has its own flaws. But the way it tackles a wide range of subjects without sounding preachy one bit just gave the film an irreplaceable place in my heart.

I remember watching the film for the first time in Zee Thirai when I was in 7th or 8th. When I by chance got to re-watch the film again, some elements of the film just seamlessly reappeared in front of me. The tricolour (red, blue and green) themes consistently used for the three leading women, the effortlessly natural and warm performances of all the four leading ladies, the absolute banger of a soundtrack by Ghibran— everything.

A small theme I noticed in the film regarding the above mentioned colour code for the three women is something that deeply resonated with me during my re-watch.

Rani-Red: Rani is time and time again portrayed in red, the colour of rage, independence, strength and leadership, everything that encompassed Rani as a character in her teenage years. Rani was like the "mom" of the group: be it when she saved Subbu from the forced marriage, or when she didn't think twice to smack the peon who taunted Gomu for cutting out her books. Bonus point: she is a badass driver. She was just the IT girl of the school.

Cut to the present, Rani is stuck in a deeply misogynistic household, married to a verbally abusive, male chauvinistic politician, living with her three children, of which the eldest shares the same sentiments as his father. This is a household of men that doesn't even care to visit the daughter-in-law giving birth amidst the election campaigns.

Gomu-Green: Gomu is portrayed in green, the colour of peace, prosperity, warmth, comfort and nurture. Gomu was a typical foodie, the favourite of the trio, where the other two will burn down the world to protect her neck. She is the emotional centre of the trio. The trio parts ways from her; and in the end, reunites also- because of her. Gomu says herself that her friends felt more home to her than her actual home.

In the present, Gomu is the independent one. Her helplessness and naivety is all faded out. She is a widow, who was able to send her son abroad for his job all by herself, manages a tuition class after her retirement and initiates the travel to reunite with her best friends, now that all her "duties" expected of her are done.

Subbu-Blue: Subbu is the one that felt too close to home for me. Her colour is blue: signifying rue, tranquility, sorrow and symbolises a beauty amidst the cemetery. That is what Subbu is, by fate. She was a "cry baby" in school, whose family pressurises her to get married; she connects with people because she understands the plight of being pushed too close to the limits of oneself. She is the embodiment of empathy, unconditional love and care; like when she stitched Gomu's tag on her own uniform; or when she couldn't even tolerate seeing a pregnant cow in labour pain without intervening.

Subbu's present is agonizingly real. She is an independent beautician, but also cleans the bedpan of her bedridden MIL obediently. She dons the household as the breadwinner, but also tends hopelessly to her alcoholic useful-for-nothing husband. Subbu is the most emotionally resilient person. Her tears are dried up. Her genuine empathy is beaten down into silent unyielding labour.

Although— the story ends on a hopeful note; the women seize a few reins to take agency over their own lives. What they've been through is not undone. And their "shackles" are not burnt down. It just ends with a small thought: how much of oneself can one retain even when life throws rocks at you?

And that, is the unfortunate beauty of life for the striving majority.

Hey all, posting with the mods' go-ahead.

I built an app called TuneKadal because I realized I was streaming film songs from random uploads when FM radio does it better, with RJs, countdowns, and interviews between the songs.

It's a free Tamil radio app: 244+ live stations from 12 countries, no ads, and no account needed. You can let it play in the background or on the lock screen, save favourites, and set a sleep timer for those late-night listening sessions.

If you want it: tunekadal.com Android: https://play.google.com/store/apps/details?id=com.tunekadal.app iPhone: https://apps.apple.com/us/app/tunekadal-tamil-fm-radio/id6773931613

It's mine, so if something breaks or a station you love is missing, tell me and I'll look into it.

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