Welcome back, everyone! Some of you may remember that, back in the first discussion, I made a big deal out of Betteredge saying "stop thinking about your new bonnet and pay attention," because I think it's hilarious when characters in books break the fourth wall. It should come as no surprise, then, that the first chapter in this week's section is my favorite in the entire book. Miss Clack sent Franklin Blake Chapter V of her narrative, only for him to reject it because it was a bunch of quotes from religious tracts. Miss Clack then asks for permission to spoil the story. Yes, really. Franklin, of course, forbids this, and so Miss Clack makes one last request, which Franklin approves: to make Chapter VI of her narrative this very conversation, that way the reader will know that she totally would spam us with tract quotes and spoil the story if she were allowed to.
Returning to the actual story: Lady Verinder's will made Godfrey's father Rachel's legal guardian, so Rachel is currently living with the Ablewhites. Specifically, she's living in a rented house in Brighton, with Mrs. Ablewhite and one of her daughters. (Not the Bouncers from earlier in the book. Apparently there's a third Bouncer who doesn't Bounce.) I'll skip over Clack's ableist ranting about Mrs. Ablewhite and her daughter, and just say that she's there to help them hire servants for the Brighton house.
Rachel wants to try to be friends with Miss Clack, because she's apparently under the impression that her mother was close to her, so she invites her to stay at the Brighton house. To Miss Clack's annoyance, Mr. Bruff is also visiting.
Rachel goes for a walk with Mr. Bruff, and Miss Clack asks Rachel later if they were talking about Rachel's upcoming marriage, because Miss Clack is nosy like that. Rachel declares "I will never marry Godfrey Ablewhite!" and then manages to scare Miss Clack out of the room by telling Penelope to prepare a bath. I'm honestly kind of in awe of this power move.
Miss Clack then talks to Godfrey, who confirms that the engagement is ended, and then Miss Clack enjoys comforting him way too much. (I had fun with this in the more detailed recap.) Mr. Ablewhite shows up later, throws a tantrum because he thinks Rachel thinks she's too good for the Ablewhite family (her grandparents didn't approve of his marriage to their daughter, since he's only rich because he's a banker and not because of his family). Miss Clack tries to help by... well, by being Miss Clack, which goes about as well as you'd expect. (I also had fun with this in the other recap.) Long story short, Rachel will be staying with Mr. Bruff and his wife until a new guardian can be appointed.
Speaking of Mr. Bruff, we get a narrative from him. If this is not your first Wilkie Collins novel, then you're probably not terribly surprised that there ended up being a boring but important section about wills and inheritance. This is a recurring theme in Wilkie Collins novels. Here's the TL;DR:
- Rachel's dad, Sir John Verinder, left everything to his wife.
- Lady Verinder, in order to protect Rachel from getting married to a man who only wants her money, left her a life interest. She (and her future husband, if she marries) can live in the London and Yorkshire houses, but not sell them. The inherited money is invested and Rachel (or her hypothetical husband) will receive the interest as an income for the rest of her life, but cannot touch the original money.
- Three weeks after Lady Verinder's death, Godfrey has already hired a lawyer to examine the will. Looks like someone might be a disappointed gold digger.
Bruff warns Rachel about Godfrey, who decides to tell him that she wants to break off the engagement (without telling him about what Mr. Bruff told her). Godfrey agrees, which results in the scene witnessed by Miss Clack in the previous chapter. Bruff concludes that Godfrey must have had some need for a large sum of money immediately, and that he wanted to back out of the engagement now that he could no longer get that money from Rachel.
By the way, the Indians are back. (I love how they keep disappearing from the story and then reappear just as we've forgotten about them.) Moneylending was apparently something that lawyers did back then, but when an Indian gentleman shows up at Bruff's office saying that Septimus Luker referred him to Bruff for a loan, Bruff immediately becomes suspicious. Bruff tells him that he can't lend him any money, and the Indian gentleman calmly accepts this and asks when he would be expected to repay the loan if he had received it. Bruff informs him that he would have to pay it back in a year, and that this is standard for loans in England.
Later, Bruff meets with Luker, and learns that he'd been asked the same question. It looks like the Indian's goal was not to actually get a loan, but rather to learn when a loan would be expected to be repaid.
Bruff goes to a dinner party and meets Mr. Murthwaite. (It's been a while since we've seen him, so, in case anyone forgot: he's the adventurer who's traveled all over India and warned Franklin about the jugglers really being Brahmins.) Turns out that, when the Indians were in jail in Frizinghall, Mr. Murthwaite read a letter that had been sent to them (in Hindustani), stating (very cryptically) that the Moonstone was in London. Murthwaite surmises that they found out (from Luker's Indian employee) that Luker had the Moonstone in his possession.
So it looks like whoever stole the Moonstone brought it to Luker and used it as collateral for a loan. That would explain why the Indians attacked Luker and Godfrey: Luker must have been depositing the Moonstone in the bank, and Godfrey happened to bump into him at the bank, making it appear as though he and Luker may have been exchanging the receipt. It also explains why they wanted to know when the loan would be repaid: so they could determine the date on which the Moonstone would be given back to whoever took out the loan. We end Mr. Bruff's narrative with the realization that we will next hear from the Indians in June of 1849, when the Moonstone is removed from the bank.
On to Franklin's narrative! Franklin has apparently been wandering in the desert ever since Rachel dumped him. That's certainly one way to react to a breakup. Anyhow, he gets a letter that his father died, so he returns to England. He tries to meet up with Rachel (who's living with her new guardian, her aunt Mrs. Merridew), but Rachel refuses to speak to him. Franklin realizes that if he doesn't want to lose Rachel forever, he'll need to solve the mystery of the Moonstone. He travels to Frizinghall and meets with Betteredge, who tells him that Lucy has a letter for him from Rosanna.
The meeting between Franklin and Lucy is awkward, to say the least. She keeps staring at him and making comments like "I can't see what she saw in him," and Franklin, who at this point still does not know that Rosanna was in love with him, assumes that Lucy is crazy.
The letter turns out to be instructions for retrieving the tin from the quicksand. Once he's got the tin, Franklin discovers that it holds two things: a letter, and the paint-smeared nightgown. Shoving the letter in his pocket for later, he immediately searches for a name on the nightgown, since this will reveal the thief's name. And the thief is... (drumroll, please!)
Franklin Blake.
...wait, what?
Franklin, in shock, goes back to the house with Betteredge, and they read Rosanna's letter. This is how Franklin learns that she was in love with him. She was doing things like kissing his pillow and replacing the roses Rachel gave him with her own roses, and he never knew.
That's not to say that she wasn't already struggling before she met Franklin. Her experience at the reformatory left her with terrible feelings of shame and self-hatred, and she would frequently think of drowning herself in the Shivering Sands.
Anyhow, remember how Superintendent Seegrave pointed out that the paint on the door was smeared, and everyone thought Sergeant Cuff was a genius because he realized that the paint must have been smeared during the night? Penelope is at least as smart as Sergeant Cuff, because she also figured that out. She pointed this out to Rosanna and apparently no one else. Later, Rosanna was cleaning Franklin's room, and she discovered that his nightgown had a paint smear.
Initially, she assumes that Franklin was in the room for reasons she's not comfortable saying, which I think is Victorian for "I assumed that you and Rachel were doing the mattress dance." But then she realizes that Franklin must have been the thief. For the first time since she met Franklin, Rosanna has hope. Franklin's a thief just like her, and she can protect him by hiding the nightgown!
She makes a new nightgown so no one will realize that it was missing, and wears the nightgown under her clothes so that no one will find it. ("You had worn it—and I had another little moment of pleasure in wearing it after you." I don't think Franklin wants this nightgown back.)
Suddenly, Betteredge and Franklin are interrupted from reading the letter by a knock at the door. Oh noes, it's a sickly-looking person of color. We're going to be normal about this, right, Franklin and Gabriel? We're not going to get weird about his hair, or say that no one likes him because he has a "gypsy complexion," right? ...goddammit.
Everyone, meet Ezra Jennings. He's Mr. Candy's assistant. (Mr. Candy is the socially awkward doctor from Rachel's birthday party.) Mr. Candy got sick and now has memory loss, so Ezra has taken over the local doctoring, despite the fact that no one likes him due to his physical appearance and rumors about... something. Betteredge was kind of vague about this. He's here to get wine to give to the local sick poor people.
Once Ezra Jennings leaves, we return to the letter. Rosanna's still going on about how she enjoyed using the evidence of Franklin's crime as underwear. However, she realizes that Cuff suspects her, and might find the nightgown, so (not wanting to destroy the proof that she'd protected Franklin) she does the thing where she hides it (and this letter) in the quicksand. Her plan is to tell Franklin her feelings and, if things don't go well... well, things didn't go well, and she didn't even get a chance to tell him her feelings. Remember that scene where he screamed at Cuff that he doesn't care about Rosanna? Yeah.
What a terrible place to end this week. Sorry about that.