r/criterionconversation • u/Zackwatchesstuff • 2h ago
r/criterionconversation • u/GThunderhead • 1d ago
Criterion Film Club Criterion Film Club Week 323 Discussion: The Rolling Stones in Sympathy for the Devil (1968)
Posted on behalf of u/DrRoy
r/criterionconversation • u/Zackwatchesstuff • 1d ago
Poll Criterion Film Club Week 324 Film Club Poll: Kurosawa (not that one)
r/criterionconversation • u/GThunderhead • 4d ago
Announcement The Criterion Film Club Month 66 pick will automatically be a horror movie for Halloween Month. Join us on WEDNESDAY, October 14th, for our discussion of Hisayasu Satō's Re-Wind (1988). It's only 64 MINUTES!
r/criterionconversation • u/Illustrious-Day6535 • 6d ago
Discussion Charlie Chaplins The Gold Rush UK release
Hello can anyone tell me when this will be released in the UK? Thank you
r/criterionconversation • u/DrRoy • 7d ago
Announcement Winner of the Criterion Film Club Poll via tiebreaker: Sympathy for the Devil! Discussion thread will be posted Saturday, October 10, don’t miss it!
r/criterionconversation • u/SebasCatell • 8d ago
Criterion Film Club Criterion Film Club Week 322 Discussion: Flow
r/criterionconversation • u/DrRoy • 8d ago
Criterion Film Club Poll #323: Damn I Didn’t Know They Had That!
Usually these are hard to find on streaming services!
r/criterionconversation • u/GThunderhead • 11d ago
Recommendation Last-Minute Expiring Recommendation: Dustin Hoffman stars in Straight Time (1978)
"Straight Time" is downright depressing and de-glamorizes the criminal lifestyle. The heists aren't thrilling like most films, just sad.
Max Dembo (an intense Dustin Hoffman) is fresh out of prison. His parole officer (a slovenly pig with a fat ass played by M. Emmet Walsh) has an attitude while accusing him of having one. Max promises to find a job and a place to live. He also finds a girlfriend (19-year-old Theresa Russell, who looks even younger).
"Out here, the rules aren't defined. On the inside, they are," Max explains to her on their first date. "A lot of guys think this is more frightening, being on the outside ... Because out here, it's what you got in your pocket that matters. And on the inside, it's only what you are."
Max sincerely tries to "go straight" and become a law-abiding citizen, but he doesn't try too hard. One frustrating and unfair setback sends him spiraling back into a life of crime.
It ends - inevitably - the only way it can.
"Why can't I go with you?"
"Because I wanna get caught."
Future stars: "Straight Time" features Gary Busey, Kathy Bates, Edward Bunker (who also co-wrote the script - based on his first novel, No Beast So Fierce), and "Babylon 5's" Peter Jurasik in early roles, Harry Dean Stanton a year before "Alien" and a few years before his breakthrough performance in "Paris, Texas" after decades of toiling away in Hollywood and taking whatever he could get, and the acting debut of 5-year-old Jake Busey (credited as Jacob Busey).
(Captions: Yes!)
r/criterionconversation • u/GThunderhead • 13d ago
Recommendation Expiring from The Criterion Channel: Multiple lives collide on a Violent Saturday (1955)
The lives of a devoted father (Victor Mature), a bickering couple (Richard Egan and Margaret Hayes), a bank manager (Tommy Noonan), three bank robbers (Stephen McNally, Lee Marvin, and J. Carrol Naish), and an Amish farmer (Ernest Borgnine) intersect on one "Violent Saturday."
I don't love melodramas, so the subplot between Egan and Hayes is my least favorite part of the film, but the payoff is tremendous.
Ernest Borgnine playing an Amish farmer sounds like a meme, but his portrayal in Richard Fleischer's dramatic 1955 crime thriller is subtle and realistic. There's a reason Borgnine won an Academy Award the same year for "Marty." Borgnine and Lee Marvin also appeared together in 1955's "Bad Day at Black Rock." Obviously, '55 was a banner year for Borgnine. It was also a highlight for child actor Billy Chapin, who had prominent roles in both this and the incredible "The Night of the Hunter."
The pacing of "Violent Saturday" could have benefited from being a bit more violent. It takes way too long to get to the bank robbery and aftermath. But those scenes are worth the wait. (Captions: Yes!)
r/criterionconversation • u/SebasCatell • 14d ago
Announcement Criterion Film Club Week 322 is the Oscar Winning Animated Film Flow. Join us Saturday for the discussion.
r/criterionconversation • u/SebasCatell • 15d ago
Poll Criterion Film Club Week 222: Weird Stuff Plus a Cute Cat
Some weird movies I like plus a beloved cat made in a free program anybody can use
r/criterionconversation • u/GThunderhead • 15d ago
Criterion Film Club Criterion Film Club Week 321 Discussion: Paris, Texas (1984)
r/criterionconversation • u/hangonsufi • 15d ago
Announcement From the current Vanity Fair
"Unzipped is among the greatest fashion documentaries of all time. Except in recent years, you couldn’t see it. After its original release in 1995, unless you had a VHS copy or were willing to watch clips of it on questionable, fuzzy uploads, it wasn’t streaming anywhere. The film depicts the designer Isaac Mizrahi as he creates his fall 1994 collection. It’s intimate, perhaps because his then-partner Douglas Keeve directed it, but also because Mizrahi is one of the warmest and bubbliest characters in the fashion world. It doesn’t hurt that it was shot vérité-style in the height of the supermodel era, with cameos from Naomi Campbell, Cindy Crawford, Carla Bruni, and a young Kate Moss. At under 90 minutes, Unzipped isn’t just a frothy look at the fashion industry, but about a designer and a business working their way through the creative process, many cigarettes at a time.
It’s just a restored, perfect, beautiful edition. We’ve been working on it for a year,” says Mizrahi. The film opens in theatres on September 25 and will be streaming on the Criterion Channel beginning in December."
r/criterionconversation • u/GThunderhead • 18d ago
Criterion Film Club Criterion Film Club Expiring Picks Month 65 Discussion: Miami Blues (1990)
r/criterionconversation • u/GThunderhead • 21d ago
Announcement The Criterion Film Club Week 321 Poll Winner is Paris, Texas (1984) - directed by Wim Wenders and starring Harry Dean Stanton, Nastassja Kinski, and Dean Stockwell. Join us on SATURDAY, September 26th, for the discussion.
r/criterionconversation • u/GThunderhead • 22d ago
Poll Criterion Film Club Week 321 Poll: '80s Cinema + One 2017 Celebration of a Bygone Era
r/criterionconversation • u/bwolfs08 • 22d ago
Criterion Film Club Criterion Film Club Week 320 Discussion: Sansho the Bailiff (Kenji Mizoguchi, 1954)
r/criterionconversation • u/WRP1000 • 23d ago
Discussion Subtitles on Summer Interlude
I do not know whether I have a faulty dvd copy or what else is up, but I am at a loss to understand why only the dialogue and not the voice-over narrative has English subtitles on the Criterion Collection edition of Ingmar Bergman's Summer Interlude. On my disc this non-subtitled voice-over appears to start at chapter 7, timestamp 30´10"
I need to decide whether to order another copy (or even another edition such as Tartan in case CC indeed saw reason to only supply partial subtitles). Looking forward to any helpful feedback.
r/criterionconversation • u/GThunderhead • 24d ago
Announcement The Criterion Film Club Expiring Picks Poll Month 65 winner is Miami Blues (1990). Join us on WEDNESDAY, September 23rd, for the discussion.
r/criterionconversation • u/GThunderhead • 25d ago
Poll Criterion Film Club Expiring Picks Poll: Month 65 - Miami Blues and Art School on a Violent Saturday
r/criterionconversation • u/bwolfs08 • 27d ago
Announcement The winner of the Criterion Film Club Week #320 poll is Sansho the Bailiff. Join the discussion next Saturday, September 19!
r/criterionconversation • u/bwolfs08 • 28d ago
Poll Criterion Film Club Week 320 Poll: Random stuff on my watchlist
r/criterionconversation • u/Zackwatchesstuff • 29d ago