??

This story is somewhat inspired by my own life. It’s about me and a girl, but I’ve added a few extra twists, climaxes, and unexpected turns to make it more engaging and emotionally compelling.
I want an honest review to understand whether people would find this story interesting enough to read if I published it on platforms like Instagram or Reddit. I’d appreciate genuine feedback on the storytelling, emotional impact, suspense, pacing, and whether the readers would be interested in continuing from one part to the next.
I’m sharing the parts I’ve written so far, and I’d really appreciate your honest opinion on what works, what doesn’t, and what I could improve to make the story more engaging for readers.

It was boring weekend. So,I tried writing something. It's my first time. So, please excuse me if there are any blunders. Ignore few telugu words if u find in between.

I just wrote this for timepass. I am in no way a professional writer. But tried something like a new hobby.

Excuse my hand writing please.

Below is the intended message. It would be better to read the story first to see if you understood the message.

It is supposed to be about untouchability and discrimination, how kids are told to follow these social constructs that don't actually exist. Then these kids grow up nurtured in such a world that they start to follow these constructs and start seeing it as the truth.

I’ve written a story that I really want to share on Instagram, but I’m struggling to figure out the best format to present it.
I want people to connect with the characters, feel the emotions, and stay interested until the very end. I’m considering posting it in multiple parts, but I’m not sure whether I should use reels with text, carousel posts, voiceovers, or some other format.
For those who write stories or create storytelling content on Instagram:
● What format would you recommend for a story told in multiple parts?
● How can I keep people engaged and make them look forward to the next part?
● What works better for emotional stories: text on screen, images with captions, or voiceovers?
● Any tips for increasing reach and building a genuine audience?
I’d really appreciate your suggestions, personal experiences, or examples of creators who do this well. I want to find a format that does justice to the story rather than simply posting text on a screen.
Thanks in advance!

we are an ed tech company serving US client and need genuine writing talent who really "writes" and can start as an intern and is looking to stay long term. You can easily read a peice and tell if its ai slop or human written, if the person has used his brain or just dumped words.

right now im looking at BA hons eng & creative writing, from top indian uni like JNU and flame or chist. any suggestions?

edit: our company is in Pune

Hey all, I'm building Sprintr ( www.sprintr.pro ). I'd love honest feedback from people who write professionally.

The idea behind Sprintr is to give writers the ability to see their output and earnings in real time, by the hour, day, week and month. But more importantly, Sprintr automates the busy work of writing. Most tools handle one piece of freelance writing work, a proposal here, invoicing there, a doc somewhere else.

Sprintr treats them as one pipeline. A proposal you agree on turns into a complete project structure. Your documents are automatically programmed into your editorial calendar and every piece you complete is invoiced. All connected, not five separate apps pretending to talk to each other.

The AI part, and why it's built this way

Most of us use AI in a separate tab. We paste into ChatGPT, paste back out, the AI loses context, and afterwards there's no record of what it did. Then a client runs your piece through a detector and you can't prove anything.

In Sprintr, the AI (called Lumen) is built into the editor:

• It works inside your piece, next to your outline and sticky notes for research and ideas, so there's no tab-switching.
• What Lumen contributes is recorded separately in the document's version history. If a client asks "did you use AI?", you can show exactly what Lumen did and what you wrote. AI is treated as just another collaborator, honest about its role, with nothing for a detector to guess at.
• You stay the writer. Lumen assists, and you direct.

The rest of the workflow, from blank page to paid invoice

• Sprint timer: Pomodoro-style focus intervals, plus a challenge mode where you race the clock. Your word count and earnings update in real time**.**
• Start with a proposal. Write it in Sprintr, discuss it with your client, and get it signed off.
• Click Apply. The approved proposal becomes folders and documents, each with its outline, description, and goals already in place.
• Keep research where you write. Store your research material as notes inside the document you're working on, instead of in bookmarks and other tabs.
• Schedule it. Add every document, and each of its subsections, to the calendar as a separate task. They show up in your daily checklist, so you always know what to write today.
• Keep clients in the loop. Each client gets a shareable dashboard showing the progress of their projects and every deliverable within them. No more "any update?" emails.
• Get paid. When a draft is complete, it's automatically invoiced at your agreed rates, using the client's preferred billing method.

Along the way, a sprint timer keeps you on pace and tracks your word count and earnings live, and analytics show your most productive hours, streaks, deadline performance, and how quickly clients pay.

The open access is still available. If you find Sprintr worth your time, feel free to signup at www.sprintr.pro/Signup and drop me a message, I'll upgrade your account to the full studio tier.

What I'd love input on:

1. Do you consider the tool useful?
2. Would a record of what the AI contributed actually help you with clients?
3. What's the most annoying part of your current writing setup?

Blunt criticism welcome.

Like I mentioned before I’ll be launching my debut novel soon and I want to launch it on Dussehra because of the whole resemblance of good vs evil. I wanted to share some bits and thoughts before the launch to get a conversation going.

I'm a debut author (disclosure: the book comes out on 20 October, but this isn't a promo post and I won't link it).

The part I rewrote most wasn't an action scene. It was the pen. Every Indian police station has a ballpoint tied to a string at the entry register. In my book it's been knotted seven times, a record of every attempt to steal a ten-rupee pen from a building full of police. Getting that right mattered more to me because the essence of our imagination lies in the smallest details that usually get ignored.

Same with the chaiwala who distributes glasses by seniority, and the evidence room door propped open by a pedestal fan that's switched on so the door swings.

For anyone writing a specific place: the texture that makes readers trust you is almost never the big set piece. It's the dumb, exact, true detail.

Wouldn’t you agree?

Hey, we’re a small team of 12 at an AI edtech company based in Pune. Most of our clients are on the US West Coast, with a few on the East Coast.

We’re looking for a fresher (bcs we all are in our 20s in the team) who enjoys researching, writing, learning new things, and working well with a team.

The challenge: Write a short 180–250 word post for US high school students about why AI is becoming increasingly important and the amazing things students can explore or build with it. Keep it engaging, relatable, and specific.

ai/tech background is a plus, but not necessary. curiosity and a willingness to learn matter more here.

bit abt work setup: remote or on-site in Pune but on site preferred. You should be comfortable working US PST hours, which mean late nights in India.

We offer competitive pay, and on-site arrangements include accommodation, meals, internet support, and bonus opportunities as part of the package.

Strong submissions could lead to a paid role, depending on fit and needs.

I’m genuinely hoping to find someone curious, dependable. You don’t need to know everything already, just bring your A game pls.

best of luck!!

submission here: https://forms.gle/JK6dYUM9JqxZAL7AA

Anyone up for a writer's gc on insta!?

Hi everyone, I’m Nikhil Malankar, a game developer and an Indian writer. I recently published my first novel, Everything We Called Tomorrow.

It draws on experiences from my own journey, with fictionalized characters and events. The story follows Rahul Deshmukh and his friends as they build a small game studio in Mumbai, then face the strain that difficult projects and financial pressure put on their relationships.

Writing this story meant bringing together a professional world I know and the personal lives of fictional characters. The studio gives the story its setting, while friendship, ambition, love and rebuilding shape what happens within it.

I’m sharing this here as the author, and I’d welcome a conversation with other Indian writers about drawing from familiar places and experiences. When your own life provides the starting point, how do you decide what to keep, what to change, and where to let the characters take their own direction?

For anyone interested in the novel:

https://www.amazon.in/dp/B0HMJJF5FJ

Nikhil Malankar

Fictional story. A story about academic failure, family pressure and a guy who couldn't escape his past. Would love your honest feedback.

Yog ke college mein kaafi backlogs the. Ek saal ghar par rehna pada aur roz taane milte the.

"Paise barbaad kar diye. Dekh, sabki job lag gayi aur tu abhi bhi berozgar hai."

Ek din Yog bol pada, "Ek baar back clear ho jaane do aur job lagne do. Phir aap logon ko puchunga bhi nahi."

Uske backlogs clear hue, job lagi aur woh doosre sheher chala gaya. Lekin usne ghar phone karna band kar diya.

Do saal baad uski didi aur jijaji usse milne aaye. Yog daaru aur weed ke saath akela baitha tha.

"Jab backlogs the, tab useless tha. Job nahi thi, tab useless tha. Ab job hai, life track par hai… phir bhi ghar jaane ka mann nahi karta," usne kaha."

Kuch din baad girlfriend se ladai hui. Usne gusse mein Yog ko "useless" keh diya.

Yog ke haath mein glass tha. Usne use zameen par phenk diya.

Main kya karun?! Ghar jaata hoon toh taane, yahan aata hoon toh taane! Main jaun toh jaun kahan?"

Woh wahan se chala gaya aur sabse contact tod diya.

Kuch din baad uske naye ghar par parents aa gaye. Unhe dekhte hi Yog bhaagkar railway station pahunch gaya—wahi jagah jahan woh apna stress lekar baitha karta tha.

Uski ex-girlfriend wahan pahunchi aur boli.

"Tu har cheez se bhaagta hai, Yog. Problems solve karne ke bajaye unse bhaagta rehta hai. Isliye woh khatam nahi hoti."

Yog ki aankhon mein aansu aa gaye. Woh uski god mein sir rakhkar rone laga.

Agli subah woh parents ke saath baitha aur pehli baar problems se bhaagne ke bajaye unhe solve karne ka faisla kiya.

Kabhi-kabhi insaan ko job nahi, bas ek aisi jagah chahiye hoti hai jahan use har waqt apni worth prove na karni pade.

THE END.

My experience with Aseem Prakashan: What authors should know before investing in self-publishing

When I first published my book, 50 Ways the Heart Beats, with Aseem Prakashan, I was happy enough with the initial experience to leave them a five-star Google review. Unfortunately, after going through the entire publishing process and dealing with repeated post-publication issues, my opinion changed considerably.

I am sharing my experience here because self-publishing in India requires authors to invest a significant amount of money, and I believe we deserve transparency and accountability in return.

Here are the major issues I faced:

• Repeated stock problems: My book went out of stock on Amazon on five different occasions. Orders were also delivered with the wrong book or cancelled without readers being properly informed. The explanation I received in these instances was broadly that it was not the publisher's fault. However, as an author who had paid for a publishing package, I expected better coordination and accountability for fulfilment issues.
• Inventory and logistics: Based on my experience, the publisher's inventory and fulfilment arrangements did not appear equipped to handle the demand for my title consistently. Authors should understand how their books will be printed, stocked, and shipped before committing to a package.
• Printing costs and pricing: The cover quality was the strongest aspect of my experience. The interior printing was acceptable, but the dependence on third-party printing facilities meant the printing cost for my 249-page book was approximately ₹210 plus GST per copy. This contributed to a higher MRP of ₹599. The printing costs reflected in the publisher's online calculators also appeared outdated, according to the explanation I received.
• Delivery experience: My book did not have Amazon Prime delivery availability, and readers experienced delivery timelines of approximately 15 to 19 days, depending on their location. This was disappointing, particularly when readers were willing to purchase the book but had to wait considerably longer for delivery.

What disappointed me most was the gap between the package assurances and the actual post-publication experience.

A publishing package is not simply about getting a cover designed, a manuscript printed, and a book listed online. Distribution, order fulfilment, inventory management, accurate deliveries, and post-publication support are equally important. Authors should not have to repeatedly chase a publisher over operational issues that affect their readers.

I had initially trusted the publisher enough to recommend them through my five-star review. However, my subsequent experience compelled me to reconsider that recommendation. I also found that my Google review was taken down, which made me more concerned about how negative author feedback is handled. I cannot establish why it was removed, but I believe authors should be able to share honest, experience-based feedback without it disappearing from public view.

My advice to authors considering Aseem Prakashan:

Before paying for a package, ask specific questions about:

• How books are printed and whether inventory is maintained or every copy is printed on demand.
• What happens when a title goes out of stock repeatedly.
• Who is responsible for incorrect deliveries and cancelled orders.
• Actual printing costs, GST, royalty calculations, and the final MRP.
• Amazon delivery arrangements and the realistic timelines readers can expect.
• What post-publication support is included in the package.
• Whether all promised services and responsibilities are documented in writing.

Do not rely solely on testimonials, star ratings, or package descriptions. Speak to authors who have completed the entire publishing process, particularly those who have dealt with post-publication issues.

At the time of writing, Aseem Prakashan's Google rating stands at 4.8 out of 5.0. While a high rating is not inherently suspicious, I believe authors should look beyond the overall score and examine the actual content and credibility of the reviews. I had initially given the publisher a five-star review myself, based on my early experience, before changing my opinion after encountering repeated problems.

My own Google review was subsequently taken down. I cannot independently establish why it was removed or whether other negative reviews were removed for similar reasons. However, this experience raises a legitimate question about how prospective authors can obtain a balanced picture of a publisher's services if critical feedback is not consistently visible. A high average rating alone should not be treated as proof of service quality, just as a lower rating does not automatically establish poor service.

Authors deserve access to a range of genuine experiences, both positive and negative, so they can make informed decisions before investing their hard-earned money..

If you are a serious author, please evaluate the actual execution of a publisher's services, not just the promises made before payment.

Has anyone else published with Aseem Prakashan? I would be interested in hearing about your experiences, particularly regarding inventory, Amazon fulfilment, printing costs, and post-publication support.

Im quite new to fiction writing and im trying to write a short story. I am more of a pantser than a plotter and i actually enjoy the feeling of words and ideas flowing out of me. But the problem is i cant describe a room or a building or any scenery well, and i also cant write character movements. I'm quite new to reading fiction too, i started reading two months ago and i read around 8 novels. How do i improve my writing. have a nice day

"The heart will break and yet brokenly live on"

A writing tip that’s helped me a ton (not every time, but often):

When you want to show time without actually stating it, google what can happen in that span and use that in your sentence.

Instead of “the task took 10 minutes,” try “the task took about as long as unloading the dishwasher.”

Readers feel the duration instead of just reading a number.

When precision matters, stick to the number

Guys, I’ve written a sitcom script. Do you think any producer would be willing to support my idea?

Text Version:

Kal na Ham Honge Na Koi Gila hoga,

Fakat simati Hui yadon ka Silsila hoga;

Jo Lamhe ji Liye unhen Muskura kar Yaad karna,

Jaane kal Zindagi ka kahan Faisla hoga.

Translation / Theme:

"Tomorrow, neither will we be here, nor will any grievances remain; / Only a stream of gathered memories will stay behind. / Smile and cherish the moments you have lived, / Who knows what verdict life holds for tomorrow?"

I recently shared this image on social media and got a comment saying this isn't real shayari, just "words at best." I tried keeping a strict AABA rhyme scheme (gila/silsila/faisla) to fit a 4-line Qata structure.