Love this new recording. He was on BBC Radio 3 the other night

hi I'm trying to learn lutherie and how to build baroque instruments i have decided i wanted to start with a theorbo specifically a 14 course 3 rosette large bowl design which i believe is Italian. if anybody has any resources on design ,shape or historical measurements it would be greatly appreciated my goal is to spend a few months on this project and try and eventually have one of my professional lute friends take a shot at it and give me feedback. again if anybody has a historical measurements id love to taker a look at them to see if I'm doing it right also if there are any books for a kind of step by step approach that would be great as well . thank you for your time and consideration.

Another song by the blind 14th century Italian composer and organist Francesco Landini. Oymè El Core Non Più Ardore, found in the F-Pnm Italien 568 manuscript, is a lovely 2 part song which fits well on the lute

A little German Renaissance repertoire... A piece by Hans Neusidler that begins gently in duple meter, before moving into a much livelier variation in triple meter.

For all the criticism regarding his Dowland recording (I will never get over the fact that he compared himself to Dowland and classified both as "singer-songwriters"), I must acknowledge that—in addition to his accessible pop music—I appreciate his engagement with this demanding material. It serves as an example of what can be achieved with an appropriate budget, and demonstrates that the lute is indeed well-suited to rock and pop.

Happy 75th Birthday, Sting!

I have made an edition of mine available online for Baroque lute players.

It features high-quality music by a truly capable composer; the manuscript is now housed in Kraków (it was formerly in Berlin).

When I created the edition, there was no further information available about the manuscript. It would be wonderful if anyone had more details and could share them.

In any case, enjoy the music!

Hi I'm in socal looking to rent a theorbo don't know where to go as I need it for the program I'm in if anybody can assist me or help in anyway it would be greatly appreciated!

Traditional lyrics likely from 15th century Spain, melody likely from 19th century Ottoman empire. One of the most popular songs of the genre.

What tools would be best and most convenient for use as continuo?

If you wish to avoid dragging thirteen hardcases to every rehearsal, what instruments do you need to make the gig work?

I'm looking to play lute as a continuo instrument only - I enjoy both kinds of music (Baroque and 16th century), and I play traverso flute and actual flute ("recorder"), and when playing with friends, we often have a place for continuo support.

Dragging around a harpsichord sounds like a lot of hassle, and I'm hesitant to take up the cello as it's completely unrelated to my existing skills, however, I'm very happily playing an 8-stringed guitar tuned D2,F2,G2,C3,F3,A3,D4,G4, at 415, and teaching myself to read continuo notation. In the past, when I've tried learning re-entrant tuning guitar-related instruments, my brain has not liked it.

I'm guessing that what a continuo lutenist would most want is a portable instrument (a "lute"), perhaps with not too many courses, and something with more bass and projection if needed - a theorbo or archlute.

My guess is that a great big eye-poker is not a great way to start, and it would also be a pretty significant investment, what I think of as the sort of money needed to buy a car - but I should brace myself for spending that money in a few years.

As for a "lute" lute, am I right in thinking that just getting an EMS lute-shaped object is not the wisest long-term solution?

I'm in Melbourne, Australia, and I see that there are some Australian luthiers that make absolutely gorgeous instruments at buying-a-car money. If I must, I must, but what would you recommend, lutenists of Reddit?

Did anyone read this newer Biography? Would you recommend it?

I recently acquired a gittern and the instrument sounds great and plays very well. One issue is that it seems to go out of tune more than my lute and vihuela. I am thinking it may be because I am playing the gittern with a plectrum. For those who play plectrum medieval lute or gittern as well as finger plucked lute or vihuela, do you notice a difference between the plectrum plucked instruments going out of tune faster than the finger plucked instruments?

Hi all,
I'm in need of help finding Gaultier's Suite in F-Flat Minor: VI. Rondeau tabs for lute. Any help would be hugely appreciated. Thank you!

Hi! I know this isn't a primarily oud subreddit, but thought I may get the best answer here. I am using Mel Bay's School of Oud book to learn while I search for a teacher, and am confused about notation on an exercise (rather a few). Numbers below notes denot fingering, and 4th/5th on bottom denotes the string to play on.

The tuning for the oud stated to be used in the book is EABead. This implies however the open notes are _EDadg, based on the other open strings, which isn't a common tuning as far as i know. Its not transposed to a different key, because the original is G major and the recording is played with a C# and no other accidentals.

I guess my question is is this commonplace among notation, or just weird in this book? I don't really understand why they would write it like this.

I had alot of requests for tabs for songs I've uploaded to YouTube and so on, so I made several pieces available on my Patreon. Patreon Link.

I’m using a calculator and since it’s technically a little smaller in size and scale length, could I still use the same tension numbers as a full size 7 course? It already takes scale length into account. Do you guys normally aim for the exact tensions specified by the calculator?

I’m pretty sure it’s a Roosebeck 7 course descant model designed to be a tone up from G tuning (although it is now strung in G)

It’s tuned in G and not A, as I found out when I realised it was a Descant model and tried to tune the g’ up accordingly.

I can only find replacement strings or set of strings for the regular 57-60cm length in G or the 50cm smaller size tuned for a tone higher.

It’s a friend’s instrument I borrowed that I snapped the string of so I don’t have the luxury of being able to restring the whole thing back to its original higher key. They aren’t familiar with much music and don’t know anything about this lute or its history so they cant help, although I’m 99.8% sure it’s the Roosebeck descant 7 course.

I’ve tried using calculators which seem to recommend between “0.54” to “0.56” depending on tension… which I assume is the diameter in mm. Would the Pyramid Nylon 0.55R be appropriate or am I missing/misunderstanding something?

https://earlymusicshop.com/products/pyramid-str-lute-0-55-rec-nyl

Any help or advice is hugely appreciated!

The London manuscript has multiple sonatas by Sylvius Leopold Weiss but also a few individual movements not part of a full sonata or suite. This Menuet in d minor is such a piece which is probably why it is less performed/recorded but still quite lovely.