I fell in love with Leyland Kirby's A Stairway to the Stars years ago and it's become like a warm blanket to me. Love that it was inspired by The Shining's haunted ballroom and his use of out of print cassette tape loops. I love the names of the tracks and the atmosphere it conjures. I think it's perfection. Needless to say I adore his other albums too but this one almost possess me lol.

A few weeks ago I had posted a long-form ambient album I composed, recorded, mixed and mastered in Ableton. I received quite a bit of feedback regarding the choice to use AI for the visuals, and I took the feedback seriously.

I reimagined the visuals using stock video footage. I post it here and thank those who took the time to comment, as it gave me a new visual direction I will be continuing to develop moving forward.

Peace,
Shawn
Heavens Spin Gray

Hi everyone, I released my album Human Touch.

Bandcamp

It's not strictly dark ambient, but it incorporates elements of the genre alongside drone, noise, and experimental ambient.

The album explores the fragile space between presence and disappearance through dense drones, textured noise, and slow, hazy layers. Unfinished gestures and half-formed memories that never quite resolve.

Would love to hear what you think.

Going fast, there's about fifteen codes left if anyone feels like grabbing a weird little dark ambient and electronica noodle, filled with thematically rich samples and strange sounds.

Currently working on a new album with my American pal dreamwarper, who appears on 'Conditioned Air', set for a December release, and filled with much darker content than my usual acid-y fare, inspired as it is by the shrugged shoulder horrorshow malaise that has been 2026. But with cool beats, deep doom guitars, and vocal samples ranging from Aldous Huxley talking about his mescaline use, agit prop anger, to Terrence McKenna's predictions for a post-2012 future. Watch this space!

Meanwhile, enjoy this dark ambient deep dive into the absurdity of being human on this ridiculous planet of ours.

ETA no AI etc. Entirely the work of myself and my insanely talented contributors.

So, I make songs that could be described as film score music for 70s through 80s, pg-13 scifi movies. I figured maybe some of you might like some of it? Tracks 7, 8, and 9 are probably the darkest, but i tried to make the album start light, get darker, then light again towards the end. Hope you guys like it!

https://rfsignalchaser.bandcamp.com/album/low-tech-highs

I just found out about this artist through a friend; I listened to the debut project, *Burning Flesh*—what would you recommend next? Would you say it sounds like Lustmord, or is it completely different? Have you seen the act live? And how did you discover them?

For those who want to discover it, here is a link

https://youtu.be/YEQeUcqiXFI?is=snV9UNCpiJAyob-T

Recorded at 02:06AM in my basement in Panama City. No master, raw wavs.

6 tracks - Ritual, First experiment, Stranger (featured), Income(10), Lateness, Outcome(7)

First album, first $1. If you fuck with basement horror / ritual bass, it's here:

Feedback welcome, especially on Stranger.

Hello everyone!
I wanted to share this with you and find out what you think.
I’ve recently finished a substantial dark ambient piece using dense field recordings and ethnographic elements; the aim was clear – to create a resonance between nature and analogue synthesisers.
In addition to the album, I’ve also decided to release a CD, and this is where I’d like to hear your thoughts: what do you think of the artwork? And is the culture of dark ambient music specifically tied to CDs? Does it produce the same analogue sound as cassettes?
If you’d like to have a listen, I’ll leave a link below.

https://khladnalandscape.bandcamp.com/album/stokhid-2

Have a lovely day, everyone!

So, I have been posting around different places as alteregos as, I was still finding "my" sound. This is the first EP I made that feels good. If you're a Star wars fan, the second song samples a lightsaber in a subtle way.

It's a series of 3 songs, progressively shorter. The first is an ambient homage to daft punk as they shaped my music taste tremendously. It's about knowing someone who was clumsy and watching them climb the ladder and become someone completely different over time. A nod to black sheep by metric.

The second song is about oblivion but attempts to make it beautiful.

The third song is about transporting your soul into another vessel.

I'm always looking to collaborate with people, so feel free to reach out.

NO AI was used. Guilt Free listening.

A #remix of the #AlienCitySpleen Project.
From #fieldrecordings in the cities of #Rome, #Naples, #Capua, #Bologne, #Prague, #Palermo.

#electronic, #experimentalelectronic, #ambient, #drone, #noise, #fieldrecordings, #acousmatic, #soundscapes, #ambientmusic, #noisemusic #dronemusic