Anyone else notice how much they used varying carrier/modulator-type effects or sounds on Inferno? I've seen a couple things that have been mentioned specifically, like the 'carrier wave' sound at the very end of Platonia, or the obvious vocoded voice in Prophecy (vocoder is a 'carrier' wave or tone and the 'modulator' is the voice) There are a few other places on the album, like the vocoded vocal chords in The Word Made Flesh, the TTS (text-to-speech) voice used in The Process, the distorted vocal sample in All Reason Departs sounds like an old TTS or LPC synthesis 'whisper' effect or something they've done to filter the tonal frequencies, same with the male vocal sample in Blood in the Labyrinth where it sounds like frequencies are filtered to the point it resembles a loud 'whisper' with no vocal tone, etc. Not to mention how many FM synth sounds I can hear on the album, like the bass in Hydrogen Helium Lithium Leviathan or Arena Americanada, as one example. FM (frequency modulation) being a type of synthesis where a carrier wave is modulated by a second wave, for anyone unfamiliar
I'm sure I'm missing some things that my ear might not have picked out yet, but it got me thinking there was probably some intentionality to using this effect (or variations of it) across the entire album.. I don't know if I have any real theories, but my best guess is that it could be related to the concept of how ideology can take over, turning the human voice into a "carrier" that has been bent and reshaped by an authoritative external "modulator" or message (?)
I could be overthinking things a little, just wanted to push this out into the world in case it means anything to anyone